If you’re passionate about something, you’re able to combine a hobbyist interest with an actual rigorous exploration. - Eli Valley

(On the question of authenticity there is also a leftist Jewish trend to try and go back to a time before assimilation. For example learning Yiddish and reconnecting to a culture that existed before the holocaust. Is this trend trying to uphold a romantic idealized version of Judaism that cannot exist anymore?) I don’t think learning Yiddish and whatever else they’re doing is pre-assimilation. Jews were speaking Yiddish when they were assimilated. The problem today is that the main Yiddish speakers are Hasidic, but we forget that in New York and Warsaw before the war there were tons of Yiddish speakers who were assimilated. It was more the language of cultural autonomy. The larger debate is something I grapple with too, and it goes back to your question about living off the fumes of a dead culture. But for most cultures, in order to create something new you need to be well steeped in the roots and branches of what came before. So I don’t think it’s simply nostalgia. I think they‘re learning Yiddish as a galvanizing point in order to bound forward with something new, whatever that might be.

I call Trump Netanyahu with smaller hands in the introduction. Netanyahu shares a lot in common with Trump. Including demagoguery, bigotry, attacks on the press, attacks on institutions of democracy, attacks on human rights organizations. I don’t know if Trump has gone that far yet, but he will. It’s a similar method of autocrats. It was inconceivable to me for the past ten years that anyone in a Jewish communal organization or institution would allow Netanyahu into its doors, because he’s the kind of thing that we have feared. And yet, he’s the head of the Jewish state.

(What would it mean to have a leftist Jewish community that doesn’t always have to be so reactive — one that’s not always on the defense against conservative Jewish gatekeepers?) It would be as diverse as the Jewish community is today, with all the different strands, fluid identities, and multicultural expressions. Some of it would be nostalgic, reinventing nostalgia, some would explore inter-generational tensions, some would be based on new Jewish experiences and encounters.