Art is this intense form of individualism that makes the public try to exercise over it an authority that is as immoral as it is ridiculous, and as c… - Oscar Wilde

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Art is this intense form of individualism that makes the public try to exercise over it an authority that is as immoral as it is ridiculous, and as corrupting as it is contemptible. It is not quite their fault. The public have always, and in every age, been badly brought up. They are continually asking Art to be popular, to please their want of taste, to flatter their absurd vanity, to tell them what they have been told before, to show them what they ought to be tired of seeing, to amuse them when they feel heavy after eating too much, and to distract their thoughts when they are wearied of their own stupidity. Now Art should never try to be popular. The public should try to make itself artistic.

English
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About Oscar Wilde

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish dramatist, essayist, novelist and poet.

Biography information from Wikiquote

Also Known As

Birth Name: Oscar Fingal O’Flahertie Wills Wilde
Alternative Names: Oscar O'Flahertie Wills Wilde Oscar Fingal O'Flahertie Wills Wilde Oscar Fingal O'Fflahertie Wills Wilde Oscar O'Fflahertie Wills Wilde
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Additional quotes by Oscar Wilde

You are more to me than any of them has any idea; you are the atmosphere of beauty through which I see life; you are the incarnation of all lovely things...I think of you day and night. ~ Letter to Lord Alfred 'Bosie' Douglas

Art is Individualism, and Individualism is a disturbing and disintegrating force. Therein lies its immense value. For what it seeks to disturb is monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine.

If a man approaches a work of art with any desire to exercise authority over it and the artist, he approaches it in such a spirit that he cannot receive any artistic impression from it at all. The work of art is to dominate the spectator: the spectator is not to dominate the work of art. The spectator is to be receptive. He is to be the violin on which the master is to play. And the more completely he can suppress his own silly views, his own foolish prejudices, his own absurd ideas of what Art should be, or should not be, the more likely he is to understand and appreciate the work of art in question.

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