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There was a re-birth of public spirit. Gentlemen ceased to take bribes. Justice became incorruptible... It has been observed that up to about 1820 th… - Gilbert Murray
" "There was a re-birth of public spirit. Gentlemen ceased to take bribes. Justice became incorruptible... It has been observed that up to about 1820 the laws passed by Parliament had almost all been for the protection of the privileged few against the many; after that time they are predominantly for the protection of the nation as a whole against abuse and privilege. Instead of the ferocious defence of property, a spirit of sympathy and help to the oppressed begins to inspire legislation. The old revolutionary doctrine of the infinite perfectibility of mankind, which had set on fire the enthusiasm of Godwin, Shelley and Condorcet, passed in a milder and more reasonable form into the general imagination of the age.
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About Gilbert Murray
George Gilbert Aimé Murray, OM, FBA (2 January 1866 – 20 May 1957) was an Australian-born British classical scholar and public intellectual, with connections in many spheres. He was an outstanding scholar of the language and culture of Ancient Greece, perhaps the leading authority in the first half of the twentieth century. He is the basis for the character of Adolphus Cusins in his friend George Bernard Shaw's play Major Barbara, and also appears as the chorus figure in Tony Harrison's play Fram. He was a prominent humanist, and served as President of the Ethical Union (now Humanists UK) from 1929-1930 and was a delegate at the inaugural World Humanist Congress in 1952 which established Humanists International.
Also Known As
Birth Name:
George Gilbert Aimé Murray
Alternative Names:
George Gilbert Aime Murray
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Sir Gilbert Murray
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George Gilbert Murray
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G. G. Murray
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Gilbert Aimé Murray
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Additional quotes by Gilbert Murray
Whether or no man might be made perfect, he certainly might be made better and happier than he is; and the conscious pursuit of that object became an accepted source of inspiration to politics and literature. With it went the conception that the necessary condition of the pursuit was freedom: set man free, let him have room to move and external conditions which do not starve or cramp him, and human nature of itself will strive to rise higher. This spirit shows itself in almost all the best English fiction of the period, from romantics like the Brontës, and realists, like George Eliot, to satirists, like Dickens and Thackeray. It had been utterly lacking in Fielding and Smollett, and even in Jane Austen. It shows itself in the immense increase of charitable institutions, of religious missions, of societies for the education of the people. There is no question of hypocrisy. To suppose there is, is the mere petulance of jealously. Shelley's or Gladstone's love of moral improvement was just as genuine as Falstaff's love of sack. But an age of moral earnestness seems in our own day to have been succeeded by an age of relaxation; and one can see in, for instance, such a book as Mr. Strachey's Eminent Victorians that the moral earnestness of Gladstone or Dr. Arnold is felt by the author to be a hateful quality and not easily to be forgiven.
Of course I cannot work as I did. Still, there has never been a day, I suppose, when I have failed to give thought to the work for peace and for Hellenism. The one is a matter of life and death for all of us; the other of maintaining amid all the dust of modern industrial life our love and appreciation of eternal values.
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