The rock-cheeks have red fire-stains. But the place was maiden, no previous Building, no neighbors, nothing but the elements, Rock, wind, and sea; in… - Robinson Jeffers

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The rock-cheeks have red fire-stains. But the place was maiden, no previous Building, no neighbors, nothing but the elements, Rock, wind, and sea; in moon-struck nights the mountain Coyotes howled in our dooryard; or doe and fawn Stared in the lamplit window, We raised two boys here All that we saw or heard was beautiful And hardly human. Oh heavy change. The world deteriorates like a rotting apple, worms and a skin. They have built streets around us, new houses Line them and cars obsess them — and my dearest has died. The ocean at least is not changed at all, Cold, grim, and faithful; and I still keep a hard edge of forest Haunted by long gray squirrels and hoarse herons.

English
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About Robinson Jeffers

John Robinson Jeffers (10 January 1887 – 20 January 1962) was an American poet, whose poetry often presented monist perspectives, transcending personal and particular concerns of human beings, which he eventually labelled as stances of a naturalistic "inhumanism" that he believed was necessary to transcend and diminish many forms of social strife and corruption.

Biography information from Wikiquote

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Alternative Names: John Robinson Jeffers
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Additional quotes by Robinson Jeffers

The Atlantic is a stormy moat, and the Mediterranean,
The blue pool in the old garden,
More than five thousand years has drunk sacrifice
Of ships and blood and shines in the sun; but here the Pacific:
The ships, planes, wars are perfectly irrelevant.
Neither our present blood-feud with the brave dwarfs
Nor any future world-quarrel of westering
And eastering man, the bloody migrations, greed of power, battle-falcons,
Are a mote of dust in the great scale-pan.
Here from this mountain shore, headland beyond stormy headland plunging like
dolphins through the grey sea-smoke
Into pale sea, look west at the hill of water: it is half the planet: this
dome, this half-globe, this bulging
Eyeball of water, arched over to Asia,
Australia and white Antarctica: those are the eyelids that never close; this
is the staring unsleeping
Eye of the earth, and what it watches is not our wars.

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"The old woman sits on a bench before the door and quarrels
With her meagre pale demoralized daughter.
Once when I passed I found her alone, laughing in the sun
And saying that when she was first married
She lived in the old farmhouse up Garapatas Canyon.
(It is empty now, the roof has fallen
But the log walls hang on the stone foundation; the redwoods
Have all been cut down, the oaks are standing;
The place is now more solitary than ever before.)
"When I was nursing my second baby
My husband found a day-old fawn hid in a fern-brake
And brought it; I put its mouth to the breast
Rather than let it starve, I had milk enough for three babies.
Hey how it sucked, the little nuzzler,
Digging its little hoofs like quills into my stomach.
I had more joy from that than from the others."
Her face is deformed with age, furrowed like a bad road
With market-wagons, mean cares and decay.
She is thrown up to the surface of things, a cell of dry skin
Soon to be shed from the earth's old eye-brows,
I see that once in her spring she lived in the streaming arteries,
The stir of the world, the music of the mountain."

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