Burning autumn leaves, I yearn to make the bonfire Bigger and bigger. - Richard Wright

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Burning autumn leaves,
I yearn to make the bonfire
Bigger and bigger.

English
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About Richard Wright

Richard Nathaniel Wright (4 September 1908 – 28 November 1960) was an American novelist and writer of short stories and non-fiction.

Also Known As

Birth Name: Richard Nathaniel Wright Richard Nathan Paul Wright

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What a weird experience I had had! At no time had I felt at home in the Communist party. I had always felt that the possibility was there, but always I was not quite sure of the motives of the people with whom I worked and they never seemed quite sure of mine. My comrades had known me, my family, my friends; they, God knows, had known my aching poverty. But they had never been able to conquer their fear of the individual way in which I acted and lived, an individuality which life had seared into my blood and bones.

Once, in the night, my mother called me to her bed and told me that she could not endure the pain, that she wanted to die. I held her hand and begged her to be quiet. That night I ceased to react to my mother; my feelings were frozen. I merely waited upon her, knowing that she was suffering. She remained abed ten years, gradually growing better, but never completely recovering, relapsing periodically into her paralytic state. The family had stripped itself of money to fight my mother’s illness and there was no more forthcoming. Her illness gradually became an accepted thing in the house, something that could not be stopped or helped. My mother’s suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother’s unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me self-conscious, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me. At the age of twelve, before I had had one full year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering.

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“That’s all right,” he said. “But when you’re through reading those books, I want you to tell me what you get out of them.” That night in my rented room, while letting the hot water run over my can of pork and beans in the sink, I opened A Book of Prefaces and began to read. I was jarred and shocked by the style, the clear, clean, sweeping sentences. Why did he write like that? And how did one write like that? I pictured the man as a raging demon, slashing with his pen, consumed with hate, denouncing everything American, extolling everything European or German, laughing at the weaknesses of people, mocking God, authority. What was this?

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