Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo th… - Marcel Proust

" "

Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.

English
Collect this quote

About Marcel Proust

Valentin Louis Georges Eugène Marcel Proust (10 July 1871 – 18 November 1922) was a French novelist, essayist and critic.

Biography information from Wikiquote

Also Known As

Alternative Names: Valentin Louis Georges Eugène Marcel Proust Proust Valentin Louis Georges Eugéne Marcel Proust Valentin-Louis-Georges-Eugéne-Marcel Proust Valentin Louis Georges Eugene Marcel Proust Valentin-Louis-Georges-Eugene-Marcel Proust Bernard d'Algouvres Valentin-Louis-Georges-Eugène-Marcel Proust
PREMIUM FEATURE
Advanced Search Filters

Filter search results by source, date, and more with our premium search tools.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Marcel Proust

But even with respect to the most insignificant things in life, none of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call “seeing a person we know” is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part. In the end they swell his cheeks so perfectly, follow the line of his nose in an adherence so exact, they do so well at nuancing the sonority of his voice as though the latter were only a transparent envelope that each time we see this face and hear this voice, it is these notions that we encounter again, that we hear.

PREMIUM FEATURE
Advanced Search Filters

Filter search results by source, date, and more with our premium search tools.

A woman sees herself dying, in these cases not at the actual moment of death but months, sometimes years before, when death has hideously come to dwell in her. The sufferer makes the acquaintance of the stranger whom she hears coming and going in her brain. She does not know him by sight, it is true, but from the sounds which she hears him regularly make she can form an idea of his habits. Is he a criminal? One morning, she can no longer hear him. He has gone. Ah! If it were only for ever! In the evening he has returned. What are his plans? Her specialist, put to the question, like an adored mistress, replies with avowals that one day are believed, another day fail to convince her. Or rather it is not the mistress’s part but that of the servants one interrogates that the doctor plays. They are only third parties. The person whom we press for an answer, whom we suspect of being about to play us false, is life itself, and although we feel her to be no longer the same we believe in her still or at least remain undecided until the day on which she finally abandons us.

Loading...