A woman sees herself dying, in these cases not at the actual moment of death but months, sometimes years before, when death has hideously come to dwe… - Marcel Proust

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A woman sees herself dying, in these cases not at the actual moment of death but months, sometimes years before, when death has hideously come to dwell in her. The sufferer makes the acquaintance of the stranger whom she hears coming and going in her brain. She does not know him by sight, it is true, but from the sounds which she hears him regularly make she can form an idea of his habits. Is he a criminal? One morning, she can no longer hear him. He has gone. Ah! If it were only for ever! In the evening he has returned. What are his plans? Her specialist, put to the question, like an adored mistress, replies with avowals that one day are believed, another day fail to convince her. Or rather it is not the mistress’s part but that of the servants one interrogates that the doctor plays. They are only third parties. The person whom we press for an answer, whom we suspect of being about to play us false, is life itself, and although we feel her to be no longer the same we believe in her still or at least remain undecided until the day on which she finally abandons us.

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About Marcel Proust

Valentin Louis Georges Eugène Marcel Proust (10 July 1871 – 18 November 1922) was a French novelist, essayist and critic.

Biography information from Wikiquote

Also Known As

Alternative Names: Valentin Louis Georges Eugène Marcel Proust Proust Valentin Louis Georges Eugéne Marcel Proust Valentin-Louis-Georges-Eugéne-Marcel Proust Valentin Louis Georges Eugene Marcel Proust Valentin-Louis-Georges-Eugene-Marcel Proust Bernard d'Algouvres Valentin-Louis-Georges-Eugène-Marcel Proust
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Additional quotes by Marcel Proust

The belief that a person has a share in an unknown life to which his or her love may win us admission is, of all the prerequisites of love, the one which it values most highly and which makes it set little store by all the rest.

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He knew that the very memory of the piano falsified still further the perspective in which he saw the elements of music, that the field open to the musician is not a miserable stave of seven notes, but an immeasurable keyboard (still almost entirely unknown) on which, here and there only, separated by the thick darkness of its unexplored tracts, some few among the millions of keys of tenderness, of passion, of courage, of serenity, which compose it, each one differing from all the rest as one universe differs from another, have been discovered by a few great artists who do us the service, when they awaken in us the emotion corresponding to the theme they have discovered, of showing us what richness, what variety lies hidden, unknown to us, in that vast, unfathomed and forbidding night of our soul which we take to be an impenetrable void.

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