It is not physical solitude that actually separates one from others; not physical isolation, but spiritual isolation. It is not the desert island nor… - Anne Morrow Lindbergh

It is the wilderness in
the mind, the desert wastes in the heart through which one wanders lost and a stranger. When one is a
stranger to oneself then one is estranged from others too. If one is out of touch with oneself, then one
cannot touch others.

It is not the desert island nor the stony wilderness that cuts you from the people you love. It is the wilderness in the mind, the desert wastes in the heart through which one wanders lost and a stranger.

When one is a stranger to oneself then one is estranged from others too. If one is out of touch with oneself, then one cannot touch others.

Solitude, says the moon shell. Every person, especially every woman, should be alone sometime during the year, some part of each week, and each day.

There is, of course, always the personal satisfaction of writing down one's experiences so they may be saved, caught and pinned under glass, hoarded against the winter of forgetfulness. Time has been cheated a little, at least in one's own life, and a personal, trivial immortality of an old self assured. And there is another personal satisfaction: that of the people who like to recount their adventures, the diary-keepers, the story-tellers, the letter-writers, a strange race of people who feel half cheated of an experience unless it is retold. It does not really exist until it is put into words. As though a little doubting or dull, they could not see it until it is repeated. For, paradoxically enough, the more unreal an experience becomes - translated from real action into unreal words, dead symbols for life itself - the more vivid it grows. Not only does it seem more vivid, but its essential core becomes clearer. One says excitedly to an audience, 'Do you see - I can't tell you how strange it was - we all of us felt...' although actually, at the time of incident, one was not conscious of such a feeling, and only became so in the retelling. It is as inexplicable as looking all afternoon at a gray stone of a beach, and not realizing, until one tries to put it on canvas, that is in reality bright blue.

The artist knows he must be alone to create; the writer, to work out his thoughts; the musician, to compose; the saint, to pray. But women need solitude in order to find again the true essence of themselves: that firm strand which will be the indispensable center of a whole web of human relationships. She must find that inner stillness which Charles Morgan describes as 'the stilling of the soul within the activities of the mind and body so that it might be still as the axis of a revolving wheel is still.'
This beautiful image is to my mind the one that women could hold before their eyes. This is an end toward which we could strive — to be the still axis within the revolving wheel of relationships, obligations, and activities. Solitude alone is not the answer to this; it is only a step toward it, a mechanical aid, like the 'room of one's own' demanded for women, before they could make their place in the world. The problem is not entirely in finding a room of one's own, the time alone, difficult and necessary as that is. The problem is more how to still the soul in the midst of its activities. In fact, the problem is how to feed the soul.