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" "When I got out of school, I didn't really understand the differences in the different aspects of the business. For example, doing a play—where does that take you versus, you know, concentrating on independent films? You might have one thing in your head, but the things you're doing don't really lead down the right road, necessarily. When you're young, you don't want to hear that. You think you can do everything, be all things.
Chadwick Aaron Boseman (29 November 1976 – 28 August 2020) was an American actor and producer most famous for his portrayals of real-life historical figures such as Jackie Robinson in 42 (2013), James Brown in Get on Up (2014), and Thurgood Marshall in Marshall (2017), and for his portrayal of the superhero Black Panther in the Marvel Cinematic Universe films, most notably in Black Panther (2018), for which he won an NAACP Image Award and a Screen Actors Guild Award. Boseman died at age 43, after privately dealing with colon cancer for four years.
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As conflicted as I was before I lost the job, as adamant as I was about the need to speak truth to power, I found myself even more conflicted afterwards. I stand here today knowing that my Howard University education prepared me to play Jackie Robinson, James Brown, Thurgood Marshall and T'Challa. But what do you do when the principle and the standards that were instilled in you here at Howard closed the doors in front of you. Sometimes you need to get knocked down before you can really figure out what your fight is and how you need to fight it.
Throughout ancient times, institutions of learning have been built on top of hills to convey that great struggle is required to achieve degrees of enlightenment. Each of you had your own unique difficulties with the hill. For some of you, the challenge was actually academics. When you hear the words Magna Cum Laude, Cum Laude, you know that’s not you. That’s not you. You worked hard. You did your best, but you didn’t make As or Bs, sometimes Cs. You never made the Dean’s list, but that’s okay. You are here on top of the hill.
Once I saw the role I was playing, I found myself conflicted. The role wasn’t necessarily stereotypical. A young man in his formative years with a violent streak pulled into the allure of gang involvement. That’s somebody’s real story. Never judge the characters you play. That’s what we were always taught. That’s the first rule of acting. Any role play honestly, can be empowering, but I was conflicted because this role seemed to be wrapped up in assumptions about us as black folk. The writing failed to search for specificity. Plus, there was barely a glimpse of positivity or talent in the character, barely a glimpse of hope. I would have to make something out of nothing. I was conflicted. Howard had instilled in me a certain amount of pride and for my taste this role didn’t live up to those standards.