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Some sort of pressure must exist; the artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would simply live in it. Art is born out of an ill-designed world.

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My belief is that art should not be comforting; for comfort, we have mass entertainment and one another. Art should provoke, disturb, arouse our emotions, expand our sympathies in directions we may not anticipate and may not even wish.

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Good art originates not from the desire to show off but from the desire to show yourself. Good art always comes from our desperate desire to breathe, to be seen, to be loved. In everyday life, we are used to seeing only the shiny outer layer of folks. Art makes us less lonely because it always comes from the desperate center of the artist — and each of our centers is desperate. That's why good art is such a relief.

Generally, the best art comes from people that are a bit alienated from the system. I think it’s that friction that actually leads to making good books or good games, and not just being like, I’m a company man, or something for that system.

The work of art has its origin in an unconscious impulse that springs from collective substrata of universal values common to all men, from which all men draw their gestures, and from which the artist derives the 'archaic' of organic existence. Every man of his own accord extracts the human element from this base, without realizing it, and in an elementary and immediate way.

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When seen as a whole, art derives from a person's desire to communicate himself to another. I do not believe in an art which is not forced into existence by a human being’s desire to open his heart. All art, literature, and music must be born in your heart’s blood. Art is your heart’s blood.

The whole point of art, for me, is to give us tools to explore feelings or situations or dilemmas that defeat our other ways of making meaning. When a situation is so vertiginous, so ethically complex, so emotionally fraught, that I feel like I’m staring into an abyss—that’s when I feel moved to make art, when I feel I need the peculiar tools of fiction to figure out what I think. I mean, to inhabit my bewilderment. I think art is the realm in which we can give full rein to the ambiguity, uncertainty, and doubt that we often feel we have to suppress in other kinds of expression—in our political speech, say. I think an ability to dwell in ambiguity, uncertainty, and doubt is a central virtue of humanness. I think it’s crucial to any thinking that might adequately capture the complexity of reality.

Art comes instinctively to us, but it is so uncertain. I have in front of me photographs of all Picasso’s best works. The mere I admire them the further I feel myself removed from all art, it seems so easy, so limited! We are part of the world creation, and we ourselves create nothing.

Art is about man's belonging to the world and it is through art that man, through aesthetic emotion, experiences awareness of his existence. The artist grasps the world, and the world that appears to us in fractions he restores to us in unity.

Artists must also reckon with the uncanny feeling that by the time we’ve finished a new work, we’ve often ended up creating something different from what we set out to do. This feeling of surprise, of the unexpected, can delight or disappoint us. … The creative process is an inexplicable, inspired, crystallizing place where the artist becomes an audience to the work, almost doesn’t know where it came from.

Making art is a mystical process — a lot of people who are artists don't understand it themselves. Especially the young ones. They feel different, but they don't know what it is. They feel more. Everything hurts. Everything. They're supersensitive. They see things that other people don't see.

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