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From earliest childhood the boy was accustomed to feel that, for him, life was double. Winter and summer, town and country, law and liberty, were hostile, and the man who pretended they were not, was in his eyes a schoolmaster — that is, a man employed to tell lies to little boys.

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The schoolmaster is the person who takes the children off the parents' hands for a consideration. That is to say, he establishes a child prison, engages a number of employee schoolmasters as turnkeys, and covers up the essential cruelty and unnaturalness of the situation by torturing the children if they do not learn, and calling this process, which is within the capacity of any fool or blackguard, by the sacred name of Teaching.

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Schoolmastering kept me busy by day and part of each night. I was an assistant housemaster, with a fine big room under the eaves of the main building, and a wretched kennel of a bedroom, and rights in a bathroom used by two or three other resident masters. I taught all day, but my wooden leg mercifully spared me from the nuisance of having to supervise sports after school. There were exercises to mark every night, but I soon gained a professional attitude towards these woeful explorations of the caves of ignorance and did not let them depress me. I liked the company of most of my colleagues, who were about equally divided among good men who were good teachers, awful men who were awful teachers, and the grotesques and misfits who drift into teaching and are so often the most educative influences a boy meets in school. If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to cope with; don't just give him a bad, dull teacher. This is where the private schools score over state-run schools; they can accommodate a few cultured madmen on the staff without having to offer explanations.

The world thought well of my schoolmaster guardian, because he was neither a liar, nor a scamp, nor a gambler; but he was coarse, avaricious, and ignorant; he knew nothing beyond the confused lessons which he taught to his classes. He imagined that in forcing a youth to become a monk he would be offering a sacrifice acceptable to God. He used to boast of the many victims which he devoted annually to Dominic and Francis and Benedict.

As a child in kindergarten I always used to come home from school and tell my mother about the twisted little boy in my class who’d only draw with black crayons and never talked to the other kids. I yakked about this unnamed friend so much that my mother eventually mentioned him to my teacher, who looked confused and then blurted, “But that’s your son!” I was creating characters early for myself and you should let your kids do the same. Having multiple personalities when you’re young is mandatory for a happy childhood.

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"On the other hand, if surrounded by ignorance, coarseness, and selfishness, they will unconsciously assume the same character, and grow up to adult years rude, uncultivated, and all the more dangerous to society if placed amidst the manifold temptations of what is called civilised life. "Give your child to be educated by a slave," said an ancient Greek, "and instead of one slave, you will then have two." The child cannot help imitating what he sees. Everything is to him a model — of manner, of gesture, of speech, of habit, of character. "For the child," says Richter, "the most important era of life is that of childhood, when he begins to colour and mould himself by companionship with others.

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Look at what I wrote at the beginning of this memoir. Have I caught anything at all of the extraordinary night when Paul Dempster was born? I am pretty sure that my little sketch of Percy Boyd Staunton is accurate, but what about myself? I have always sneered at autobiographies and memoirs in which the writer appears at the beginning as a charming, knowing little fellow, possessed of insights and perceptions beyond his years, yet offering these with false naivete to the reader, as though to say, 'What a little wonder I was, but All Boy.' Have the writers any notion or true collection of what a boy is?
I have and I have reinforced it by forty-five years of teaching boys. A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also schemer, self-seeker, traitor, Judas, crook, and villain - in short, a man. Oh these autobiographies in which the writer postures and simpers as a David Copperfield or a Huck Finn! False, false as harlots' oaths!
Can I write truly of my boyhood? Or will that disgusting self-love which so often attaches itself to a man's idea of his youth creep in and falsify the story? I can but try. And to begin I must give you some notion of the village in which Percy Boyd Staunton and Paul Dempster and I were born.

We cannot teach children the danger of lying to men without feeling as men, the greater danger of lying to children.

Strange times are these in which we live when old and young are taught falsehoods in school. And the person that dares to tell the truth is called at once a lunatic and fool

A man is born; his first years go by in obscurity amid the pleasures or hardships of childhood. He grows up; then comes the beginning of manhood; finally society's gates open to welcome him; he comes into contact with his fellows. For the first time he is scrutinized and the seeds of the vices and virtues of his maturity are thought to be observed forming in him.

This is, if I am not mistaken, a singular error.

Step back in time; look closely at the child in the very arms of his mother; see the external world reflected for the first time in the yet unclear mirror of his understanding; study the first examples which strike his eyes; listen to the first word which arouse with him the slumbering power of thought; watch the first struggles which he has to undergo; only then will you comprehend the source of the prejudices, the habits, and the passions which are to rule his life.

When I was a little boy, they called me a liar, but now that I'm a grown up, they call me a writer.

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