Gregariousness is always the refuge of mediocrities, whether they swear by Solovyov or Kant or Marx. Only individuals seek the truth. - Boris Pasternak

He realised, more vividly than ever before, that art had two constant, two unending preoccupations: it is always meditating upon death and it is always thereby creating life.

"To Be the Famous..."

To be the famous isn’t attractive,
Not this could ever elevate,
You needn’t to make your archive active,
You needn’t your scripts to be all saved.

Self-offering’s aimed by creation,
But ballyhoo or cheap success,
It is a shame, if worthless persons
Are talks of towns’ populace.

But you’ve to live without phony,
To live such life that, after all,
To gain love of the space symphony,
And answer to the future’s call,

And oft to leave gaps in your traces
In fate, but in the papers, crooked,
To mark the chapters and main places
On margins of your being’s book,

To fully sink in the unknown,
And hide in it your own steps
Like hide itself, if mist is grown,
The whole landscape of the place.

The others, by the living traces,
Will pass your way through, bit by bit,
But wins and losses of your battles
You have not to discern on it.

You’ve never – not by fate or folly –
To lose an atom of your face,
But – be alive, alive and only,
Alive and only, till your last.

Yurii Andreievich kept trying to get up and go. The commissar's naïveté embarrassed him, but the sly sophistication of the commandant and his aide — two sneering and dissembling opportunists — was no better. The foolishness of the one was matched by the slyness of the others. And all this was expressed itself in a torrent of words, superfluous, utterly false, murky, profoundly alien to life itself.
Oh, how one wishes sometimes to escape from the meaningless dullness of human eloquence, from all those sublime phrases, to take refuge in nature, apparently so inarticulate, or in the wordlessness of long, grinding labor, of sound sleep, of true music, or of a human understanding rendered speechless by emotion!