Woman's life today is tending more and more toward ... 'Zerrissenheit' — torn to pieces-hood. She cannot live perpetually in 'Zerrissenheit.' She wil… - Anne Morrow Lindbergh

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Woman's life today is tending more and more toward ... 'Zerrissenheit' — torn to pieces-hood. She cannot live perpetually in 'Zerrissenheit.' She will be shattered into a thousand pieces.

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About Anne Morrow Lindbergh

Anne Morrow Lindbergh (22 June 1906 – 7 February 2001), born Anne Spencer Morrow, was a pioneering American aviator, and the wife of Charles Lindbergh

Biography information from Wikiquote

Also Known As

Birth Name: Anne Spencer Morrow
Alternative Names: Anne Lindbergh Anne Morrow Anne Spencer Morrow Lindbergh Anne Spencer Lindbergh

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Additional quotes by Anne Morrow Lindbergh

...I want first of all - in fact, as an end to these other desires - to be at peace with myself. I want a singleness of eye, a purity of intention, a central cor to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact - to borrow from the language of the saints -to live 'in grace' as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony...

There is, of course, always the personal satisfaction of writing down one's experiences so they may be saved, caught and pinned under glass, hoarded against the winter of forgetfulness. Time has been cheated a little, at least in one's own life, and a personal, trivial immortality of an old self assured. And there is another personal satisfaction: that of the people who like to recount their adventures, the diary-keepers, the story-tellers, the letter-writers, a strange race of people who feel half cheated of an experience unless it is retold. It does not really exist until it is put into words. As though a little doubting or dull, they could not see it until it is repeated. For, paradoxically enough, the more unreal an experience becomes - translated from real action into unreal words, dead symbols for life itself - the more vivid it grows. Not only does it seem more vivid, but its essential core becomes clearer. One says excitedly to an audience, 'Do you see - I can't tell you how strange it was - we all of us felt...' although actually, at the time of incident, one was not conscious of such a feeling, and only became so in the retelling. It is as inexplicable as looking all afternoon at a gray stone of a beach, and not realizing, until one tries to put it on canvas, that is in reality bright blue.

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