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I experience the same sense of absurdity when I listen to a cosmologist like Stephen Hawking telling us that the universe began with a big bang fifte… - Colin Wilson
" "I experience the same sense of absurdity when I listen to a cosmologist like Stephen Hawking telling us that the universe began with a big bang fifteen billion years ago, and that physics will shortly create a 'theory of everything' that will answer every possible question about our universe; this entails the corollary that God is an unnecessary hypothesis. Then I think of the day when I suddenly realized that I did not know where space ended, and it becomes obvious that Hawking is also burying his head in the sand. God may be an unnecessary hypothesis for all I know, and I do not have the least objection to Hawking dispensing with him, but until we can understand why there is existence rather than nonexistence, then we simply have no right to make such statements. It is unscientific. The same applies to the biologist Richard Dawkins, with his belief that strict Darwinism can explain everything, and that life is an accidental product of matter. I feel that he is trying to answer the ultimate question by pretending it does not exist.
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About Colin Wilson
Colin Henry Wilson (26 June 1931 – 5 December 2013) was a British writer, known for his first book The Outsider and over one hundred other books, including seventeen novels and many works in criminology, existential philosophy, psychology, religion, the occult, mysticism, wine, and music.
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Colin Henry Wilson
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Additional quotes by Colin Wilson
The romantics of the 19th century thought that the artist is at war with society, and must be destroyed by it eventually; this is the theme of all of Hoffmann's stories. I suggested -- in The Outsider and the subsequent five books of the 'cycle' -- that the fault lies partly with the artist, for preferring pessimism and self-pity to serious thought, and that the 'outsider' must eventually learn to accept his position as a spiritual leader of society. The church once provided the link between 'outsiders' and society, standing for the world of values, of 'meanings; beyond the present. The artists of the 19th century found themselves without this visible symbol of non-material values, and were, as Hoffmann says, frequently destroyed by society, or by their own destiny of standing outside it. I concluded that they must learn to stand alone, to be twice as strong, for half the problems of our civilization are due to 'the treason of the intellectual', their tendency to opt out and collapse in self-pity.
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