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" "Doc fell in to a car convoy, moving slowly, single lane through the fog. He figured if he missed the Gordita Beach exit, he'd take the first one whose sign he could read and work his way back on surface streets. He knew that at Rosecrans, the freeway began to dogleg east, and at some point, Hawthorne Boulevard or Artesia,he'd lose the fog, unless it was spreading tonight, and settled in region wide... Maybe then it would stay this way for days, maybe he'd have to just keep driving, down past Long Beach, down through Orange County, and San Diego and across a border where nobody could
tell anymore in the fog who was Mexican, who was Anglo, who was anybody. Then again, he might run out of gas before that happened, and have to leave the caravan, and pull over on the shoulder, and wait. For whatever would happen. For a forgotten joint to
materialize in his pocket. For the CHP to come by and choose not to hassle him. For a restless blonde in a Stingray to stop and offer him a ride. For the fog to burn off, and for something else this time, somehow, to be there instead.
Thomas Ruggles Pynchon, Jr. (born 8 May 1937) is an American writer based in New York City, known for his dense and complex works of fiction.
Biography information from Wikiquote
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Why is it that we honor the Great Thieves of Whitehall, for Acts that in Whitechapel would merit hanging? Why admire one sort of Thief, and despise the other? I suggest, 'tis because of the Scale of the Crime. — What we of the Mobility love to watch, is any of the Great Motrices, Greed, Lust, Revenge, taken out of all measure, brought quite past the scale of the ev'ryday world, approaching what we always knew were the true Dimensions of Desire. Let Antony lose the world for Cleopatra, to be sure, — not Dick his Day's Wages, at the Tavern.
As the day light left the city that night, the streetlamps were not up to anything like their usual candle-power. It was difficult to make anything out clearly. Ordinary social restraints were apt to be defective or not there at all. The screaming that went on all night, ignored as background murmur during the day, now, absent the clamor of street traffic, had taken on urgency and despair – a chorale of pain just about to pass from its realm of the invisible into something that might actually have to be dealt with. Figures which late at night appeared only in levels of grey were now seen to possess color, not the fashionable shades of daytime but blood reds, morgue yellows, and poison greens.