41 Quotes Tagged: cities

Korea vets in flannel shirts down from Michigan, accompanied by ruddy grandsons in Under Armour camo jackets, coexist peacefully with Montessori moms navigating strollers between clumps of grandparents eyeing big baskets of apples and small ones of plums. Trucker hats are worn without irony here; the hipsters are welcome but not in charge.

Paris is a woman but London is an independent man puffing his pipe in a pub.

Canadian cities looked the way American cities did on television.

There is still one of which you never speak.'

Marco Polo bowed his head.

'Venice,' the Khan said.

Marco smiled. 'What else do you believe I have been talking to you about?'

The emperor did not turn a hair. 'And yet I have never heard you mention that name.'

And Polo said: 'Every time I describe a city I am saying something about Venice.

"How can you measure progress if you don't know what it costs and who has paid for it? How can the "market" put a price on things - food, clothes, electricity, running water - when it doesn't take into account the REAL cost of production?"

There is something about the very idea of a city which is central to the understanding of a planet like Earth, and particularly the understanding of that part of the then-existing group-civilization which called itself the West. That idea, to my mind, met its materialist apotheosis in Berlin at the time of the Wall.

Perhaps I go into some sort of shock when I experience something deeply; I'm not sure, even at this ripe middle-age, but I have to admit that what I recall of Berlin is not arranged in my memory in any normal, chronological sequence. My only excuse is that Berlin itself was so abnormal - and yet so bizarrely representative - it was like something unreal; an occasionally macabre Disneyworld which was so much a part of the real world (and the realpolitik world), so much a crystallization of everything these people had managed to produce, wreck, reinstate, venerate, condemn and worship in their history that it defiantly transcended everything it exemplified, and took on a single - if multifariously faceted - meaning of its own; a sum, an answer, a statement no city in its right mind would want or be able to arrive at.

...Why are corporations so fleeting?...Instead of imitating the freewheeling city, these businesses minimize the very interactions that lead to new ideas. They erect walls and establish hierarchies. They keep people from relaxing and having insights. They stifle conversations, discourage dissent, and suffocate social networks. Rather than maximizing employee creativity they become obsessed with minor efficiencies.

In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping.

A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised.

A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.

I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it.

What strange phenomena we find in a great city, all we need do is stroll about with our eyes open. Life swarms with innocent monsters.

Once arrived in the City, he dispersed utterly and gratefully in it like a raindrop fallen into the sea.

I am not interested in living in a city where there isn't a production by Samuel Beckett running.

Real cities have something else, some individual bony structure under the muck. Los Angeles has Hollywood — and hates it. It ought to consider itself damn lucky. Without Hollywood it would be a mail order city. Everything in the catalogue youi could get better somewhere else.

Toute transformation sociale (...) s'est fondée sur de nouvelles bases métaphysiques et idéologiques; ou plutôt, sur des émotions et intuitions plus profondes, dont l'expression rationalisée prend la forme du cosmos et de la nature de l'homme.

The city doesn't beckon or lend me a shoulder today. Maybe it knows I'm about to leave. The sun's dull disk defeats me; the dense sky is the same one that will carry me away. The vast and vaporous territory, lacking precise pathways, is all that binds us together now. But it never preserves our tracks. The sky, unlike the sea, never holds on to the people that pass through it. The sky contains nothing of our spirit, it doesn't care. Always shifting, altering its aspect from one moment to the next, it can't be defined.