What a mistake Parisians make in not having a palate for crude things, for Monticellis, for common earthenware. But there, one most not lose heart be… - Vincent van Gogh
" "What a mistake Parisians make in not having a palate for crude things, for Monticellis, for common earthenware. But there, one most not lose heart because Utopia is not coming true. It is only that what I learned in Paris is leaving me, and I am returning to the ideas I had in the country before I knew the impressionists. And I should not be surprised if the impressionists soon find fault with my way of working, for it has been fertilized by Delacroix’s ideas rather than by theirs. Because instead of trying to reproduce exactly what I have before my eyes, I use colour more arbitrarily, in order to express myself forcibly. Well, let that be, as far as theory goes, but I’m going to give you an example of what I mean.
About Vincent van Gogh
Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.
Biography information from Wikiquote
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Additional quotes by Vincent van Gogh
You are thrifty yourself, you understand what is absolutely needed. And I ask you, can one do what is absolutely necessary with what remains for one’s own use after paying for painting materials, models, and rent? If I had some friends, if I were a little known, yes, then it would be easier; but I have no friends, and my job is to try and make them.
My house here is painted the yellow colour of fresh butter on the outside, with glaringly green shutters; it stands in full sunlight in a square that has a green garden with plane trees, oleanders and acacias. It is completely whitewashed inside, with a floor made of red bricks. And over it there is the intensely blue sky. In this house I can love and breathe, meditate and paint.
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