These are roads to take when you think of your country and interested bring down the maps again, phoning the statistician, asking the dear friend, re… - Muriel Rukeyser

These are roads to take when you think of your country

The quick sun brings, exciting mountains warm,
gay on the landscapers and green designs,
miracle, yielding the sex up under all the skin,
until the entire body watches the scene with love,
sees perfect cliffs ranging until the river
cuts sheer, mapped far below in delicate track,
surprise of grace, the water running in the sun,
magnificent flower on the mouth, surprise
as lovers who look too long on the desired face
startled to find the remote flesh so warm.
A day of heat shed on the gorge, a brilliant
day when love sees the sun behind its man
and the disguised marvel under familiar skin.

The continuity of film, in which the writer deals with a track of images moving at a given rate of speed, and a separate sound-track which is joined arbitrarily to the image-track, is closer to the continuity of poetry than anything else in art. But the heaviness of the collective work on a commercial film, the repressive codes and sanctions, unspoken and spoken, the company-town feeling raised to its highest, richest, most obsessive-compulsive level in Hollywood, puts the process at the end of any creative spectrum farthest from the making of a poem. At the same time, almost anything that can be said to make the difficulties of poetry dissolve for the reader, or even to make the reader want to deal with those "difficulties," can be said in terms of film. These images are like the action sequences of a well-made movie — a good thriller will use the excitement of timing, of action let in from several approaches, of crisis prepared for emotionally and intellectually, so that you can look back and recognize the way of its arrival; or, better, feel it coming until the moment of proof arrives, meeting your memory and your recognition. The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.

The world of this creation, and its poetry, is not yet born. The possibility before us is that now we enter upon another time, again to choose. Its birth is tragic, but the process is ahead: we must be able to turn a time of war into a time of building.