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"Not bad, not bad at all," Diotallevi said. "To arrive at the truth through the painstaking reconstruction of a false text."
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian philosopher, semiotician, essayist, literary critic, and novelist, most famous for his novel The Name of the Rose (1980), an intellectual mystery combining semiotics in fiction, biblical analysis, medieval studies and literary theory.
Biography information from Wikiquote
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No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in. The success of a metaphor is a function of the sociocultural format of the interpreting subjects' encyclopedia. In this perspective, metaphors are produced solely on the basis of a rich cultural framework, on the basis, that is, of a universe of content that is already organized into networks of interpretants, which decide (semiotically) the identities and differences of properties. At the same time, content universe, whose format postulates itself not as rigidly hierarchized but, rather, according to Model Q, alone derives from the metaphorical production and interpretation the opportunity to restructure itself into new nodes of similarity and dissimilarity.
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«Так что же, – осмелился я спросить, – вы еще далеки от решения?»
«Я очень близок к решению, – ответил Вильгельм. – Только не знаю, к которому».
«Значит, при решении вопросов вы не приходите к единственному верному ответу?»
«Адсон, – сказал Вильгельм, – если бы я к нему приходил, я давно бы уже преподавал богословие в Париже».
«В Париже всегда находят правильный ответ?»
«Никогда, – сказал Вильгельм. – Но крепко держатся за свои ошибки».