Who are the inventors of Tlön? The plural is inevitable, because the hypothesis of a lone inventor — an infinite Leibniz laboring away darkly and mod… - Jorge Luis Borges

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Who are the inventors of Tlön? The plural is inevitable, because the hypothesis of a lone inventor — an infinite Leibniz laboring away darkly and modestly — has been unanimously discounted. It is conjectured that this brave new world is the work of a secret society of astronomers, biologists, engineers, metaphysicians, poets, chemists, algebraists, moralists, painters, geometers... directed by an obscure man of genius. Individuals mastering these diverse disciplines are abundant, but not so those capable of inventiveness and less so those capable of subordinating that inventiveness to a rigorous and systematic plan. This plan is so vast that each writer's contribution is infinitesimal. At first it was believed that Tlön was a mere chaos, and irresponsible license of the imagination; now it is known that it is a cosmos and that the intimate laws which govern it have been formulated, at least provisionally. Let it suffice for me to recall that the apparent contradictions of the Eleventh Volume are the fundamental basis for the proof that the other volumes exist, so lucid and exact is the order observed in it.

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About Jorge Luis Borges

Jorge Luis Borges (24 August 1899 – 14 June 1986) was an Argentine writer who is considered one of the foremost literary figures of the 20th century. Most famous in the English speaking world for his short stories and fictive essays, Borges was also a poet, critic, translator and man of letters.

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Also Known As

Pen Names: B. Suarez Lynch H. Bustos Domecq
Alternative Names: Jorge Francisco Isidoro Luis Borges Chorche Louis Borches Jorge Luis Borges Acevedo Horhe Luis Borhes J. L. Borges Khorkhe Luyis Borkhes Borges Jorge Francisco Isidoro Luis Borges Acevedo
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Additional quotes by Jorge Luis Borges

And yet, and yet . . . Denying temporal succession, denying the self, denying the astronomical universe, are apparent desperations and secret consolations. Our destiny is not frightful by being unreal; it is frightful because it is irreversible and iron-clad. Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.

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The aesthetic event is something as evident, as immediate, as indefinable as love, the taste of fruit, of water. We feel poetry as we feel the closeness of a woman, or as we feel a mountain or a bay. If we feel it immediately, why dilute it with other words, which no doubt will be weaker than our feelings?

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