Raised in a working-class, immigrant family, I didn’t have access to poetry. I want to write poetry that my mother can read, or poetry that I would h… - Richard Blanco

For the most part, I don’t know where a poem will lead, but I’ll have a sense of the theme or texture to start with. It can be an image, a quote, or a memory, and I’ll slowly start seeing what develops on the page. Typically, when I start holding strongly to an idea, it doesn’t turn out well because there’s no discovery. Finding the structure is like tuning an instrument until you hear the right note. And with free verse, every poem has to find its own internal logic and structure. You figure that out during the process.

I would first need to acknowledge that the mere act of creating something that questions the world and one’s life in it, that exercises one’s imagination, or that even pens something simply for the sake of beauty, is a kind of politics because it is determined to create awareness of some kind in some context…

In poetry, my grandmother is much more vicious and hurtful…In the book, she comes across as this likable character. And she was! She was always the life of the party, a fun-loving person. ... In the poetry my mother is more of a martyr, always suffering from leaving her whole family in Cuba. But in the book she’s like this control freak, like this warden of the house. I realized that was her psychological response to the loss she had experienced: She wanted to control life. She couldn’t tolerate one more loss in her life.”