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" "If the normal portolano is indeed derived from the lost atlas of Marinus of Tyre, then it follows that other high-quality maps of regions much further afield than the Mediterranean and the Black Sea, and indeed a world map, might also have been preserved by the Arabs — for we know from Ptolemy's testimony that other Marinus maps, including a world map, did once exist. It will therefore do no harm to keep an open mind to the possibility that the portolan world maps that began to appear during the century after the Carta Pisane, might also have been influenced by earlier 'Tyrian sea-fish' maps of Phoenician origin. Christopher Columbus, whose passionate belief in lands across the Atlantic lead to his 'discovery' of the New World, seems to hint at a Phoenician connection when he describes one of the inspirations for his journey:
'Aristotle in his book On Marvellous Things reports a story that some Carthaginian merchants sailed over the Ocean Sea to a very fertile island ... this island some Portuguese showed me on their charts under the name Antilia.'
Antilia first appears on a portolan chart of 1424. It is a mysterious presence there, a riddle.
Graham Hancock (born 2 August 1950) is a British writer who promotes pseudoarchaeological and other pseudoscientific theories involving ancient civilizations and hypothetical lost lands. He has been the subject of the Netflix series Ancient Apocalypse (2022).
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[At Gunung Padang] First, the drill cores contained evidence — fragments of worked columnar basalt — that more man-made megalithic structures lay far beneath the surface. Secondly, the organic materials brought up in the drill cores began to yield older and older dates — 3000 BC to 5000 BC, then 9600 BC as the drills bit deeper, then around 11,000 BC, then 15,000 BC and finally, at depths of 27.5 meters (90 feet) and more, an astonishing sequence of dates of 20,000 BC to 22,000 BC and earlier. [...] The problem is that those dates going back before 9600 BC take us deep into the last Ice Age, when Indonesia was not a series of islands as it is today but was part of a vast antediluvian Southeast Asian continent dubbed "Sundaland" by geologists. Sea level was 122 meters (400 feet) lower then. Huge ice caps 3.2 kilometers (2 miles) deep covered most of Europe and North America until the ice caps began to melt. Then all the water stored in them returned to the oceans and sea-level rose, submerging many parts of the world where humans had previously lived.
Another scene from universal myth unfolds — here powerfully reminiscent of the Underworld quests of Orpheus for Eurydice and of Demeter for Persephone. The ancient Japanese recension of this mysteriously global story is given in the Kojiki and the Nihongi, where we read that Izanagi, mourning for his dead wife, followed after her to the Land of Yomi in an attempt to bring her back to the world of the living:
'Izanagi-no-Mikoto went after Izanami-no-Mikoto and entered the Land of Yomi ... So when from the palace she raised the door and came out to meet him, Izanagi spoke saying; 'My lovely younger sister! The lands that I and thou made are not yet finished making; so come back!'
Izanami is honoured by Izanagi's attention and minded to return. But there is one problem. She has already eaten food prepared in the Land of Yomi and this binds her to the place, just as the consumption of a single pomegranate seed binds Persephone to hell in the Greek myth.
Is it an accident that ancient Indian myth also contains the same idea? In the Katha Upanishad a human, Nachiketas, succeeds in visiting the underworld realm of Yama, the Hindu god of Death (and, yes, scholars have noted and commented upon the weird resonance between the names and functions of Yama and Yomi). It is precisely to avoid detention in the realm of Yama that Nachiketas is warned:
'Three nights within Yama's mansion stay / But taste not, though a guest, his food.'
So there's a common idea here — in Japan, in Greece, in India — about not eating food in the Underworld if you want to leave. Such similarities can result from common invention of the same motif — in other words, coincidence. They can result from the influence of one of the ancient cultures upon the other two, i.e. cultural diffusion. Or they can result from an influence that has somehow percolated down to all three, and perhaps to other cultures, stemming from an as yet unidentified common source.