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" "If the normal portolano is indeed derived from the lost atlas of Marinus of Tyre, then it follows that other high-quality maps of regions much further afield than the Mediterranean and the Black Sea, and indeed a world map, might also have been preserved by the Arabs — for we know from Ptolemy's testimony that other Marinus maps, including a world map, did once exist. It will therefore do no harm to keep an open mind to the possibility that the portolan world maps that began to appear during the century after the Carta Pisane, might also have been influenced by earlier 'Tyrian sea-fish' maps of Phoenician origin. Christopher Columbus, whose passionate belief in lands across the Atlantic lead to his 'discovery' of the New World, seems to hint at a Phoenician connection when he describes one of the inspirations for his journey:
'Aristotle in his book On Marvellous Things reports a story that some Carthaginian merchants sailed over the Ocean Sea to a very fertile island ... this island some Portuguese showed me on their charts under the name Antilia.'
Antilia first appears on a portolan chart of 1424. It is a mysterious presence there, a riddle.
Graham Hancock (born 2 August 1950) is a British writer who promotes pseudoarchaeological and other pseudoscientific theories involving ancient civilizations and hypothetical lost lands. He has been the subject of the Netflix series Ancient Apocalypse (2022).
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More than 500 deluge legends are known around the world and, in a survey of 86 of these (20 Asiatic, 3 European, 7 African, 46 American and 10 from Australia and the Pacific), the specialist researcher Dr Richard Andree concluded that 62 were entirely independent of the Mesopotamian and Hebrew accounts.
At the entrance of one of the Hypogeum's painted rooms, the faint engraved impression of a large human hand, also arbitrarily assigned to the Neolithic, may still be seen. It 'has parallels in similar designs in Palaeolithic sites at Gargas, El Castillo, and particularly with Montespan in the Franco-Cantabrian region.' The impression shows a hand with six fingers [a condition known as Polydactyly that is also seen on at least one of the 'Fat Lady' figures on show in the National Museum of Archaeology].
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