Another scene from universal myth unfolds — here powerfully reminiscent of the Underworld quests of Orpheus for Eurydice and of Demeter for Persephone. The ancient Japanese recension of this mysteriously global story is given in the Kojiki and the Nihongi, where we read that Izanagi, mourning for his dead wife, followed after her to the Land of Yomi in an attempt to bring her back to the world of the living:
'Izanagi-no-Mikoto went after Izanami-no-Mikoto and entered the Land of Yomi ... So when from the palace she raised the door and came out to meet him, Izanagi spoke saying; 'My lovely younger sister! The lands that I and thou made are not yet finished making; so come back!'
Izanami is honoured by Izanagi's attention and minded to return. But there is one problem. She has already eaten food prepared in the Land of Yomi and this binds her to the place, just as the consumption of a single pomegranate seed binds Persephone to hell in the Greek myth.
Is it an accident that ancient Indian myth also contains the same idea? In the Katha Upanishad a human, Nachiketas, succeeds in visiting the underworld realm of Yama, the Hindu god of Death (and, yes, scholars have noted and commented upon the weird resonance between the names and functions of Yama and Yomi). It is precisely to avoid detention in the realm of Yama that Nachiketas is warned:
'Three nights within Yama's mansion stay / But taste not, though a guest, his food.'
So there's a common idea here — in Japan, in Greece, in India — about not eating food in the Underworld if you want to leave. Such similarities can result from common invention of the same motif — in other words, coincidence. They can result from the influence of one of the ancient cultures upon the other two, i.e. cultural diffusion. Or they can result from an influence that has somehow percolated down to all three, and perhaps to other cultures, stemming from an as yet unidentified common source.
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In 1512, in handwritten notes on an enigmatic map that he had prepared showing the newly discovered Americas, the Turkish Admiral Piri Reis offered an intriguing answer to all these questions — at any rate for the particular case of Christopher Colombus, the most recent and most renowned of the ancient Atlantic dreamers. Piri's note, one of many on the same map, is written over the interior of Brazil:
'Apparently a Genoese infidel, by the name of Columbus was the one who discovered these parts. This is how it happened: a book came into the hands of this Colombus from which he found out that the Western Sea [i.e. the Atlantic] has an end, in other words that there is a coast and islands on its western side with many kinds of ores and gems. Having read this book through, he recounted all these things to the Genoese elders and said, 'Come, give me two ships, and I shall go and find these places.' They said, 'Foolish man, is there an end to the Western Sea? It is filled with the mists of darkness.
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To have followed the speculative vision of Behaim in his famous globe, or of others like him, would have been disastrous, even though their work represents the cream of fifteenth-century mapmaking and was known to Columbus. Indeed, as one commentator has observed, if his chart had been based on the Behaim scenario, 'Columbus could not even have known of the whereabouts of the New World, much less discover it.'
Yet not only does he seem to have known where he was going but, on some accounts, when he was going to get there:
'Now and then Pinzón and Columbus consult and deliberate — mutually discuss their route. The map or chart passes not infrequently from the one captain to the other; the observations and calculations as to their position are daily recorded, their conduct and course for the night duly agreed upon.
On the eve of their due arrival Columbus issues the order to stay the course of the armada, to shorten sail, because he knew that he was close to the New World and was afraid of going ashore during the obscurity of the night ...
How does he know the place and the hour?
'His Genius' says the Columbus legend in explanation. But the Map? The critics will ask, what did it contain? Whose was it? What did that map contain that was so frequently passed from Columbus to Pinzón during the voyage?'
I've presented my case that what the map may have contained was an accurate but ancient, and indeed antediluvian, representation of the coast and islands of Central America, notably the north-south-oriented Great Bahama Bank island, which Columbus — no less ignorant than any of his contemporaries about the existence of the Americas — took to be an accurate map of part of the coast of China and the islands of Japan.
I will not delay the reader with lengthy quotations from the very many Taiwanese flood myths that were collected from amongst the indigenous population, primarily by Japanese scholars, in the nineteenth and early twentieth centuries. Typically they tell a story of a warning from the gods, the sound of thunder in the sky, terrifying earthquakes, the pouring down of a wall of water which engulfs mankind, and the survival of a remnant who had either fled to mountain tops or who floated to safety on some sort of improvised vessel.
To provide just one example (from the Ami tribe of central Taiwan), we hear how the four gods of the sea conspired with two gods of the land, Kabitt and Aka, to destroy mankind. The gods of the sea warned Kabitt and Aka: 'In five days when the round moon appears, the sea will make a booming sound: then escape to a mountain where there are stars.' Kabitt and Aka heeded the warning immediately and fled to the mountain and 'when they reached the summit, the sea suddenly began to make the sound and rose higher and higher'. All the lowland settlements were inundated but two children, Sura and Nakao, were not drowned: 'For when the flood overtook them, they embarked in a wooden mortar, which chanced to be lying in the yard of their house, and in that frail vessel they floated safely to the Ragasan mountain.'
So here, handed down since time immemorial by Taiwanese headhunters, we have the essence of the story of Noah's Ark, which is also the story of Manu and the story of Zisudra and (with astonishingly minor variations) the story of all the deluge escapees and survivors in all the world. At some point a real investigation should be mounted into why it is that furious tribes of archaeologists, ethnologists and anthropologists continue to describe the similarities amongst these myths of earth-destroying floods as coincidental, rooted in exaggeration, etc., and thus irrelevant as historical testimony. This is contrary to reason when we know that over a