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" "This, then, is how one must imagine the punitive city. At the crossroads, in the gardens, at the side of roads being repaired or bridges built, in workshops open to all, in the depths of mines that may be visited, will be hundreds of tiny theatres of punishment. Each crime will have its law; each criminal his punishment. It will be a visible punishment, a punishment that tells all, that explains, justifies itself, convicts: placards, different-coloured caps bearing inscriptions, posters, symbols, texts read or printed, tirelessly repeat the code. Scenery, perspectives, optical effects, trompe-l'œil sometimes magnify the scene, making it more fearful than it is, but also clearer. From where the public is sitting, it is possible to believe in the existence of certain cruelties which, in fact, do not take place. But the essential point, in all these real or magnified severities, is that they should all, according to a strict economy, teach a lesson: that each punishment should be a fable. And that, in counterpoint with all the direct examples of virtue, one may at each moment encounter, as a living spectacle, the misfortunes of vice. Around each of these moral ‘representations’, schoolchildren will gather with their masters and adults will learn what lessons to teach their offspring. The great terrifying ritual of the public execution gives way, day after day, street after street, to this serious theatre, with its multifarious and persuasive scenes. And popular memory will reproduce in rumour the austere discourse of the law. But perhaps it will be necessary, above these innumerable spectacles and narratives, to place the major sign of punishment for the most terrible of crimes: the keystone of the penal edifice.
Paul-Michel Doria Foucault (15 October 1926 – 25 June 1984) was a French philosopher, historian of ideas, writer, political activist, literary critic, and Professor of the History of Systems of Thought at the Collège de France from 1970 until his death in 1984. Foucault's theories primarily address the relationship between power and knowledge, and how they are used as a form of social control through societal institutions. He revolutionized the academic study of the history of medicine, sexuality, penality, the liberal state and classical ethics, and contributed to the philosophy of language and aesthetics.
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The pastorate was formed against a sort of intoxication of religious behavior, examples of which are found throughout the Middle East in the second, third, and fourth centuries, and to which certain Gnostic sects in particular bear striking and indisputable testimony. In at least some of these Gnostic sects, in fact, the identification of matter with evil, and as absolute evil, obviously entailed certain consequences. This might be, for example, a kind of vertigo or enchantment provoked by a sort of unlimited asceticism that could lead to suicide: freeing oneself from matter as quickly as possible. There is also the idea, the theme, of destroying matter through the exhaustion of the evils it contains, of committing every possible sin, going to the very end of the domain of evil opened up by matter, and thus destroying matter. Let us sin, then, and sin to infinity. There is also the theme of the nullification of the world of the law, to destroy which one must first destroy the law, that is to say, break every law. One must respond to every law established by the world, or by the powers of the world, by violating it, systematically breaking the law and in effect, overthrowing the reign of the one who created the world.