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" "to be Hungarian is not to belong to a people, but instead it’s an illness, an incurable, frightening disease, a misfortune of epidemic proportions that could overcome every single observer with nausea,
László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.
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Irimiás: God is not made manifest in language, you dope. He's not manifest in anything. He doesn't exist... God was a mistake. I've long understood there is zero difference between me and a bug, or a bug and a river, or a river and a voice shouting above it. There's no sense or meaning in anything. It's nothing but a network of dependency under enormous fluctuating pressures. It's only our imaginations, not our senses, that continually confront us with failure and the false belief that we can raise ourselves by our own bootstraps from the miserable pulp of delay. There's no escaping that, stupid.
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. . .really, he didn’t want to be a nuisance to anyone, nor would he, he decided, be a nuisance, then sat down on the bed, got up again, went over to the window, then sat back down on the bed once more, before getting up again, and so it went on for several minutes, since the feeling of joy continued welling up in him, overwhelming him, so time and again he had to sit down or stand up and eventually achieved complete happiness by pulling the table ever so gently over to the window, turning it so the light should fall fully on it, drew up the chair, then sat on the bed and stared at the table, at the arrangement of it, stared and stared, gauging whether the light was falling on it in the best possible way, then turning the chair a little so that it was at a different angle to the table, so it should fit better, staring at that now, and it was plain that the happiness was almost too much for him, for he now had somewhere to live, a place with a table and a chair, because he was happy that Mr. Sárváry existed in the first place, and that he should have this apartment on the top floor of 547 West 159th Street, right next to the stairs to the attic, and without the resident’s name on the door.