Every living thing is nature. I mean, why are we on this suicidal move, and why is it that people refuse to see what we are doing to the environment … - Cecilia Vicuña

For me, I think my inspiration is the attitude and the feeling that you are here to sense, feel, shift, relate, and dance with art.

(Would you say that your practice seeks to confront that ancestral trauma?) CV: I don’t think my work confronts it as much as faces it. In other words, it is my point of departure. I don’t think it’s something that can even be confronted because it has already happened. You have to allow for your being, your soul, your spirit, and your body to feel that and become fully aware of its importance. We now live in a culture that denies pain and denies trauma, and therefore if you deny that, not only are you bound to repeat it, but you’re bound to live in a world of lies. I think it’s very dangerous not to acknowledge such things. I think it is probably our first task. Otherwise I don’t think there’s going to be any more humanity.

The position of poetry in oral cultures is of tremendous power and reach. In fact, the oral poets say this plainly: the reach of an oral poem is infinite because it can be sensed, it can be heard, it can be told, it’s alive and moving and changing.