No fighting, Glorias! Gloria Estefan [the real one] to two female impersonators [Gloria #1 and Gloria #2] - Gloria Estefan

The 2004 tour hasn't ended. I still have to finish Latin America and Europe. [Celia Cruz and I] were good friends. Emilio did her first video; we wrote a song for her. I would have loved to have had her there [when recording "90 Millas"]. But she was there. I felt her. That's the beauty of a legacy. Celia was economical and tasty in her choices. And in the pocket like you wouldn't believe? [Which means] It's like a rhythm, from son music. To have it it is to be locked in, like a tuned engine. Once you're in the pocket, you're free. That's why, for most of these songs, I sang and I sang until I had the emotion, then . . . one take. {Couldn't you be considered the heiress to Celia Cruz?] you can't give yourself a title! That's crazy! If I ever start talking like that, please put me out of my misery. I don't care if I'm 80, with my butt to my ankles, put me down.

Emilio and I like projects to breathe and grow. We started with a concept -- write songs, make demos, then let the guest stars listen to them and then affect the writing process. For Jose Feliciano, I had written a chorus and a bit of a melody. He started playing the chorus and ad-libbing. I went, "This is the [stuff]! Forget my melody!" Carlos Santana worked just the other way. He wanted me to record a polished take singing first, so his playing could recreate my emotion. I got goose bumps [writing "90 Millas"]. Like in "Esperando," which is addressed to Cubans on the island. Those of us in America, we're like the bogeyman, but I wanted Cubans at home to know: Whatever happened doesn't matter. The future is for us to heal. And also: because we're here, we latched onto any part of our culture. Yes and no [this is a political record]. Politics is life, so yes. but it's not specific. Saying that 90 miles haven't divided us sends a message about freedom for Cuba -- and for everyone.

We wanted to show the influence Cuban music has had on musicians from all over, so we invited 25 of the top Latin musicians in the world, and it was a great honor they paid me. Some of them are actually inventors, like Cachao, the Cuban bassist credited with creating mambo.