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" "And I thought, no, the dead are there, and do know themselves and others. I know it’s so; it can’t be otherwise. To be dead, though, isn’t to have further life like ours, just elsewhere; nor is it to live on in the memories of others, or in the dark aliveness of tombs, or in the voices that the still-embodied believe they hear. It’s not like any story that any traveler to that realm has told, or any spirit claiming to have come out of that land either. No. But I believe that even though their life is divided forever from the life we live in the day and the sun, we can know something of it: because we live part of our lives the way they do, in a realm that’s like the realm where they are. I mean in dreams.
In dreams we traverse other geographies; we walk the roads, we enter the rooms, we speak to the people and beings we encounter. We meet our kin and our dead, just as they were in their youth and in ours, or transfigured, not themselves. We see and hear but can’t quite smell or touch. We know ourselves to be there while we are there, but we don’t know we know: it’s only when we wake that we know what we saw and heard and felt. Usually we know that we saw and felt much more, but we can’t retrieve it, and so the experience of it is lost for good; in effect it was never ours.
And I thought that it must be the same in the sleep of death: there, too, we will do deeds, learn truths, pass through landscapes, meet other souls, think about the living, ponder, feel terror and delight, go always further. The difference is this: from death we will never, never ever, wake to know of it.
John Crowley (born 1 December 1942) is an American author of fantasy, science fiction and mainstream fiction, most famous as the author of Little, Big (1981), which received the World Fantasy Award for Best Novel.
Biography information from Wikiquote
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... their lives were full of quiet drama, full of vague yet thrilling signs that life was not as the common run supposed it to be; they were among those... who watch life as though it were a great drab curtain which they are sure is always about to rise on some terrific and exquisite spectacle, and though it never did quite rise, they were patient, and noted excitedly every small movement of it as the actors took their places, strained to hear the unimaginable setting being shifted.
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