When you are raised in a culture and have grown to accept that everybody else’s story is normal, you believe that your story isn’t important. I have … - Paul Sun-Hyung Lee

When you’re 18 and you’re starting to lose your hair – it sucks. So, my agent always got me roles that were older than my actual age. I’m Asian and an actor and I worried about my appearance. I played dads, grand-dads and that was my career. But that taught me something: I learned that I’m never going to have a leading role but that doesn’t matter; I’m going to be the best actor I can – bit roles, whatever and that attitude made me a better actor. I believed I could be a character actor and that’s a thing to aspire to.

Television is a gateway for other people too. It reaches such a mass audience and it only makes sense that this is the easiest way for newcomers to learn about Canadian society and a love of pop culture comes out of that. That’s why shows like Star Trek that have such a positive and hopeful view of society in the future are so important because they will reach that audience and give them hope. It’s a powerful medium that has so much influence, so much power to abuse the trust that audiences give to it.

When you are improvising a show, it’s different as well, because people understand you are improvising, you’re allowed to make mistakes. When you watch game shows, the really good ones, [they] look like they don’t ever miss a beat. I’ve realized that it’s because they are all edited within an inch of their lives, there were probably tons of mistakes, but it looks like everything is going smooth, but it’s like getting into the deep end of the pool and being forced to sink or swim. I’m curious to see how I was in the first episode versus the finale, as almost two different hosts because at the end I found my comfort zone, and I was more familiar with the language, the technical aspects of what was going on and being more engaged, getting to know the kids a lot better and getting to know the format a lot better.