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" "I was very sickly and weak during the first years of my infancy, and was, as much as I can remember of myself, a very whimsical boy. Sometimes I learned with enthusiasm, and often found myself in such a kind of ecstasy, that I neither could see nor hear what passed around me. In these fits of thought I forgot playthings and playfellows; I was happy only in my own musings. I always preferred the company of little girls to boys. I was not ten years old when I presented them with some poetry and little verses, the effusions of my heated imagination; some of them fell into my hands in riper years, and after reading them over, I left off poetry altogether. I loved my first private teacher very much; I even can remember him now. My second teacher was a simpleton; he could never understand me, nor enter into my feelings. My antipathy to this man grew daily greater; I could not learn of him, nor could he teach me anything. At last, when in my thirteenth year, I got rid of him, and he being encumbered with debts, I gave him my saving-box when he left. Whether I did this for pity's sake, or joy to get rid of him, I did not know.
Albrecht Daniel Thaer (14 May 1752 – 26 October 1828) was a renowned German agronomist and an avid supporter of the humus theory for plant nutrition.
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Among others, Doctor Caritens died during a momentary absence of my father, who recommended while stepping into his travelling chariot, to bleed the Doctor a second time. I did as he bid me, although convinced that emetics and opening medicine would cure the patient without fail; the Doctor died, and you may easily imagine the state of my feelings. I had just begun to publish a work on practical physic, but had no heart to finish it after this sad catastrophe. I betook myself again to philosophy. I wished daily to return to Gottingen, if I could do so with honour. I passed three years under such painful circumstances, when my friend Leisewitz invited me to go with him to Berlin, for which purpose his brother-in-law in Brunswick would advance me money to defray my expenses. Without much consideration, I accepted the invitation, and my portmanteau was soon ready.
My mother, as much as I can remember from my early boyhood, and from what I heard of her after her death, was of a most lively temper, and possessed of a good and noble heart, but a little inclined to sensibility; her greatest pleasure was to see everyone happy about her. She loved me dearly and spoilt me. I adored her. Alas, I lost her when only a little boy, and never shall I efface from my memory the day of her death and funeral."
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The art of agriculture is the realization of some ideal object. lie who practises it has received from others, without considering the reasons on which it is founded, the idea or rule by which he proceeds. The skilful practice of an art consists, therefore, in the adoption of new ideas, in the study of new rules, and in judging the fitness of their being carried into practice.