I don't think the isolation of the American writer is a tradition; it's more that geographically he just is isolated, unless he happens to live in Ne… - Nelson Algren

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I don't think the isolation of the American writer is a tradition; it's more that geographically he just is isolated, unless he happens to live in New York City. But I don't suppose there's a small town around the country that doesn't have a writer. The thing is that here you get to be a writer differently. I mean, a writer like Sartre decides, like any professional man, when he's fifteen, sixteen years old, that instead of being a doctor he's going to be a writer. And he absorbs the French tradition and proceeds from there. Well, here you get to be a writer when there's absolutely nothing else you can do. I mean, I don't know of any writers here who just started out to be writers, and then became writers. They just happen to fall into it.

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About Nelson Algren

(March 28, 1909 – May 9, 1981) was an American writer. Best known for two of his novels, The Man with the Golden Arm (1949, , adapted into ) and A Walk on the Wild Side (1956, adapted into ), Algren also wrote short stories collected in The Neon Wilderness (1947), and the book-length essays Chicago: City on the Make (1951) and Nonconformity (1953/1996).

Also Known As

Alternative Names: Nelson Ahlgren Abraham
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Additional quotes by Nelson Algren

To see life steadily, and see it whole, as a creature of the deep sees it, from below. Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards.

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I've always figured the only way I could finish a book and get a plot was just to keep making it longer and longer until something happens – you know, until it finds its own plot – because you can't outline and then fit the thing into it. I suppose it's a slow way of working.

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