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I have had no “guidance or teaching” from others to speak of, but taught myself; no wonder my technique, considered superficially, differs from that … - Vincent van Gogh
" "I have had no “guidance or teaching” from others to speak of, but taught myself; no wonder my technique, considered superficially, differs from that of others. But that’s no reason for my work to remain unsaleable. I feel pretty sure that the large “Sorrow,” “The Old Woman of the Geest,” the “Old Man,” and others, will find a purchaser someday.
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About Vincent van Gogh
Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.
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Vincent Willem van Gogh
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van Gogh
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Additional quotes by Vincent van Gogh
Here's a list of Dutch paintings intended for the [Paris] Salon:
- Israëls, an old man: ..an old man sits in a hut by the fireplace in which a small piece of peat barely glows in the twilight. For it's a dark hut the old man sits in, an old hut with a small window with a little white curtain. His dog, who's grown old with him, sits beside him – those two old creatures look at each other, they look each other in the eye, the dog and the old man. And meanwhile the man takes his tobacco box out of his trousers pocket and he fills his pipe like that in the twilight. Nothing else – the twilight, the quiet, the loneliness of those two old creatures, man and dog, the familiarity of those two, that old man thinking.. ..that face – a melancholy, satisfied, submissive expression.. .I definitely know of no other painting than this Israëls that can stand up to Millet's 'Death and the Woodcutter', that one can see at the same time, on the other hand I know of no other painting that could stand up to this Israëls than Millet's Death and the woodcutter, no other painting that one can see at the same time as this Israëls. Moreover, I feel in my mind an irresistible desire to bring together that painting by Israëls and that other by Millet and make them complement each other.. .It's a fabulous Israëls,.
I’m always inclined to believe that the best way of knowing [the divine] is to love a great deal. Love that friend, that person, that thing, whatever you like, you’ll be on the right path to knowing more thoroughly, afterwards; that’s what I say to myself. But you must love with a high, serious intimate sympathy, with a will, with intelligence, and you must always seek to know more thoroughly, better, and more.
So I think there must be more animation, and we must throw all doubts overboard, and also a certain lack of confidence. Do you want a motive for keeping one’s serenity even when one is isolated and misunderstood, and has lost all chance for material happiness? This one thing remains - faith; one feels instinctively that an enormous number of things are changing and that everything will change. We are living in the last quarter of a century that will end again in a tremendous revolution.
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