Johnston's picture of intentionally rising from the cracks and gaps of an intrinsically contradictory reality happens to be the very ontological trop… - R. Scott Bakker

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Johnston's picture of intentionally rising from the cracks and gaps of an intrinsically contradictory reality happens to be the very ontological trope I use to structure the fantasy world of The Second Apocalypse! The ontological formula he hopes will force change on science is the same ontological formula I use to identify my fiction as fantasy fiction. One of my goals in my epic fantasy series is to demonstrate the seamless nature of the fit between Continental philosophical concepts and magical realities, to explore the affinities one finds in theological and new age appropriations of Continental conceptualities. To show the degree to which humanistic discourse belongs to prescientific cultural ecologies, and so examine the inevitability of its obsolescence.

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About R. Scott Bakker

Richard Scott Bakker (born February 2, 1967, Simcoe, Ontario) is a Canadian fantasy author.

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Alternative Names: Eärwa Richard Scott Bakker
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In part, The Prince of Nothing is about the dialogue between these two species of faith, the one that identifies itself with doubt and remains open to the superunknown, the other that identifies itself with certainty and remains blind to the superunknown. It shows how empowered, how manipulable, and how dangerous we become when we think we possess an absolute yardstick.

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Palpable gods. Real magic. A certain, objective moral order. Apocalyptic retribution. The primary difference is that fantasy worlds have dispensed with the belief that comes part and parcel with scriptural worlds. Fantasy allows us to lose ourselves in anthropomorphic worlds without the burden of belief. In this sense, they're scriptural worlds that openly acknowledge themselves as fantastic - which is to say honest scriptural worlds.

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