Poetry was a way of keeping myself relatively sane and trying to make sense of the world I inhabited, which did not correspond to the world shown on the television we acquired the year we moved or the world that textbooks and school commended to us. The place I had grown up in was far more violent. Radical politics made sense to me. ("TOUCHED BY GINSBERG AT A (RELATIVELY) TENDER AGE")
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from a very young age poetry was always a sustenance for me. It was a way of going deeper into things, it was never escapism. It was a way, as a very young child, of finding out about life...(it told me) many things. And they contradicted each other, of course, but it was a way of reflecting on and maybe testing out emotions and feelings that I had no words for myself.
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Poetry is what has saved me through the years. I started writing when I was about nine. I discovered that I could go into a space where there is language-language that is mine, which is completely private and where I can do anything with it. I can curse at someone I cannot curse otherwise. I can create a space of beauty when all around me is poverty and deprivation. I can experience an uplifting of the spirit when all around me things are trying to pull me down. That act of writing the poem is the act that has centered me all my life.
Poetry makes us be in touch with ourselves, with our communities and with the world at large. It’s like a door we open to our inner self and to the outside and different realities; a bridge that connects us as species in a divided and constantly changing world. I try to express all that through my poetry and I am constantly looking to do it in a way I have not done it before. It is a permanent search for a better way of saying whatever I want and need to say. My poetry also evolves through reading the works of other poets, and through many other readings. It is like an endless personal revolution, an underground river, a relentless inner sea that must keep moving to avoid stagnation and repetition.
For a very long time, poems were a way of talking about what I couldn't talk about any other way. And why is it that you're not able to talk about certain things? It's because they are the points of danger, you feel that in the social fabric, you feel there are people who don't want you to raise this question, or if you're a child-to ask this question. That is the threatening place, and of course it becomes a place of great fascination too. I was equipped from a very young age to use language in this way because of how I was brought up, and by whom I was brought up, and the fact that poetry was available to me as a choice, when it might not have been for another seven or ten years if I'd been another child.
I can say poetry has certainly sharpened my senses and keeps me open to wonder about alternative realities, to be overly curious rather than overly ideological, it can be read as just a reminder that we have more senses than we have the words for, so perhaps we ought to revel in that if we are to truly live our lives in the light?
Writing poetry, which for me was then saying how I felt about this and that, didn't help me to understand the world I lived in. I developed a definition-which I think becomes less and less accurate as poetry moves into the world-that poetry was a way of speaking to the world, but fiction was a way to get the world to speak to me. (1978 interview)
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