On music: "Yes, the frequencies that I use are very important. The music has a real message inside. I must be very careful with sound. The sound is m… - Vangelis

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On music: "Yes, the frequencies that I use are very important. The music has a real message inside. I must be very careful with sound. The sound is my life. My ear is completely aware. I spontaneously listen to all the sounds around me. For example, a frequency of approximately 30 cycles just passes, there. If we slow down sound it can cause sickness, and if we amplify it, it could destroy a wall".

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About Vangelis

Evangelos Odysseas Papathanassiou (29 March 1943 – 17 May 2022), professionally known as Vangelis, was a Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music. He was best known for his Academy Award–winning score for the film Chariots of Fire.

Also Known As

Pen Names: Βαγγέλης
Native Name: Ευάγγελος Οδυσσέας Παπαθανασίου Βαγγέλης Παπαθανασίου
Alternative Names: Evangelos Odysseas Papathanassiou Vangelis O. Papathanassiou
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Additional quotes by Vangelis

On electronic music: "The source is electronic, but what you do with it is the same as with acoustic instruments. Sound is sound and vibration is vibration, whether from an electronic source or an acoustic instrument. The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".

in Italian: Non mi considero un musicista, piuttosto un radar pronto a captare le sinfonie che arrivano dal cielo. E' stato cosi da quando avevo quattro anni e spero che continui per sempre. Nel momento in cui compongo, qualunque ingrediente può andare bene, il problema sta nelle proporzioni che devono essere armoniche. E' cóme il lavoro degli architetti, non si inventa mai nulla.

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On live performance: "From the creative point of view, live music is always different to what appears on a record because everything is spontaneous and you’re influenced as a performer by your audience. The negative aspect of live work is that the audience expects to be entertained, and not only that, the record company and the promoters expect you to be successful. But to me, the theatre is a meeting place where something unpredictable happens, not necessarily successful, maybe pleasant, maybe not. That’s how I think a concert should be, but in reality things have to be planned down to the last detail, you have to rehearse with other musicians so the scope for improvisation is lessened, and these things prevent a concert from being a truly spontaneous affair. In a way, this reality makes me less keen to do concerts, but in essence I do like playing. I enjoy the risk".

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