Vangelis Quotes

On live performance: "From the creative point of view, live music is always different to what appears on a record because everything is spontaneous and you’re influenced as a performer by your audience. The negative aspect of live work is that the audience expects to be entertained, and not only that, the record company and the promoters expect you to be successful. But to me, the theatre is a meeting place where something unpredictable happens, not necessarily successful, maybe pleasant, maybe not. That’s how I think a concert should be, but in reality things have to be planned down to the last detail, you have to rehearse with other musicians so the scope for improvisation is lessened, and these things prevent a concert from being a truly spontaneous affair. In a way, this reality makes me less keen to do concerts, but in essence I do like playing. I enjoy the risk".

On sound volume and arrangement: "No, high volume levels cause less harm than the awkward arrangement of sounds. Assuming that the sound is a wave: if this wave is not balanced by itself, it causes great damage when it enters the ear. I have tested this on a few people in my studio. I made them listen to two tracks. The first track was considered too loud, whereas the second track was actually louder but more balanced".

And whatever we find on Mars, the doors will be open to the next Odyssey, to something so many have instinctually felt for so long, something which through music I remember -- that at the dawn of creation the seeds of life were likely scattered far and wide across the endless skies, and that science will continue to show us how we are connected, no different than the universe itself.

On voice and music: "The voice, for me, is probably the best instrument, but, on the other hand, when a person sings words they immediately limit themselves to a certain category of people, to a particular dialect. Music without lyrics travels more easily and may be biologically conceived and received".

On live performance: "Yes. l’d really like to do some concerts of completely improvised music, but one of the reasons for doing a concert is to experience the enjoyment of the people there, so you have to include excerpts of music from previous albums because they want to hear something they already know and like. There’s nothing wrong with limiting your spontaneous playing to just improvising around old themes, but what is wrong is playing a concert solely to promote a certain record. I’ve never done a concert tour just to promote Heaven and Hell or Chariots or anything like that. That sort of thing seems pointless to me".

The number of interviews I've ever given could be counted on the fingers of my hands.

I’ve always had a tendency, since my early childhood, to design the world not through society, but through a cosmic truth. I believe that our existence is first cosmic, then biological and then social. Unfortunately, so much importance is placed on our social life that it hides this fact. I think that people feel social pressure and understand that these systems, currently prevent happiness.

On working alone: "I enjoy working alone. I know myself, and I know what I want... and all this allows me to create my music before my thoughts can interrupt".

Mythology, science, space exploration, these are subjects that have fascinated me since my early childhood. And they were always connected somehow with the music I write.

On theory: "I don’t know any theory. Knowing the theory does not mean anything. If we theoretically know what a human being is, but someone has never seen one, or if you have never had a relationship with a human being, you cannot know anything about human beings! I think that the best way to gain knowledge is through gaining experience and through connections... Look, if I approach an instrument theoretically, it will give me a theory, so therefore this will make cold music".

On hearing: "It’s an extremely important faculty which helps to balance the nervous system. Besides, people do not hear or see the same thing. There are specialists, especially in France, that measure hearing and determine the frequencies that the ear cannot hear or can only hear at greater intensity. This can cause psychological problems".

On happiness: "For me, it’s harmony resulting from the cosmic wave, not the happiness resulting from the social wave"

Vangelis has been writing and performing electronic music for three decades and suggests that it is perhaps the only genre - with the exception of "pure" classical music - that can comunicate universally.

On world economy: "I see the crisis like a theatrical play that concerns the world – not just Greece... But, I am afraid that it is not easy for any country today to decide their own future... Corruption is another way for just a few to benefit... It's a game. What you read is not what's happening. The whole planet is in trouble for the same reason... Generally speaking, yes, greed and capital. In other words, banking".

I function as a channel through which music emerges from the chaos of noise.