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" "Halics’s whole body felt as though it had lost definition and, as for his coat, it had lost whatever resistance to water it once had nor could it protect him from the roaring cataract of fate, or, as he tended to say, “the rain of death in the heart,” a rain that beat, day and night, against both his withered heart and defenseless organs.
László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.
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empirical evidence is precisely that which is sacred in so-called scientific thought, and by these means — there’s no point in denying it — we can go far, but at the same time, by following this method, we greatly distance ourselves from the problem, because it’s so, but so manifest that empirical proof itself is something that no one has ever heretofore truly dealt with, namely, no one has ever wished genuinely to confront the deeply problematic nature of empirical verification as such, because whoever did this went mad, or appeared to be a pure dilettante,
Faith, thought Eszter . . . is not a matter of believing something, but believing that somehow things could be different; in the same way, music was not the articulation of some better part of ourselves, or a reference to some notion of a better world, but a disguising of the fact of our irredeemable selves and the sorry state of the world, but no, not merely a disguising but a complete, twisted denial of such facts: it was a cure that did not work, a barbiturate that functioned as an opiate.