The intellectual love of the mind towards God is that very love of God whereby God loves himself - Benedictus de Spinoza

Spinoza's "theory" rejected every illusion about ideology, and especially about the number one ideology of that time, religion, by identifying it as imaginary. But at the same time it refused to treat ideology as a simple error, or as naked ignorance, because it based the system of this imaginary phenomenon on the relation of men to the world "expressed" by the state of their bodies. This materialism of the imaginary opened the way to a surprising conception of the First Level of Knowledge: not at all, in fact, as a "piece of knowledge", but as the material world of men as they live it, that of their concrete and historical existence. Is this a false interpretation? In certain respects, perhaps, but it is possible to read Spinoza in such a way. In fact his categories do function, daringly, in this way in the history of the Jewish people, of its prophets, of its religion, and of its politics, where the primacy of politics over religion stands out clearly, in the first work which, after Machiavelli, offered a theory of history. But this theory of the imaginary went still further. By its radical criticism of the central category of imaginary illusion, the Subject, it reached into the very heart of bourgeois philosophy, which since the fourteenth century had been built on the foundation of the legal ideology of the Subject. Spinoza's resolute anti-Cartesianism consciously directs itself to this point, and the famous "critical" tradition made no mistake here. On this point too Spinoza anticipated Hegel, but he went further. For Hegel, who criticized all theses of subjectivity, nevertheless found a place for the Subject, not only in the form of the "becoming-Subject of Substance" (by which he "reproaches" Spinoza for "wrongly" taking things no further than Substance), but in the interiority of the Telos of the process without a subject, which by virtue of the negation of the negation, realizes the designs and destiny of the Idea. Thus Spinoza showed us the secret alliance between Subject and Goal which "mystifies" the Hegelian dialectic.

Although Baruch Spinoza is one of the great thinkers of the European philosophical tradition, he was not a professional scholar – he earned his modest living as a lens grinder. So, unlike many thinkers of his time, he was unconstrained by allegiance to a church, university or royal court. He was free to be faithful to the pursuit of truth. This gives his philosophy a remarkable originality and intellectual purity – and it also led to controversy and charges of heresy. In the 19th century, and perhaps even more recently, "Spinozist" was still a term of abuse among intellectuals. In a sense, Spinoza was always an outsider – and this independence is precisely what enabled him to see through the confusions, prejudices and superstitions that prevailed in the 17th century, and to gain a fresh and radical perspective on various philosophical and religious issues.

Beauty, my dear Sir, is not so much a quality of the object beheld, as an effect in him who beholds it. If our sight were longer or shorter, or if our constitution were different, what now appears beautiful to us would seem misshapen, and what we now think misshapen we should regard as beautiful. The most beautiful hand seen through the microscope will appear horrible. Some things are beautiful at a distance, but ugly near; thus things regarded in themselves, and in relation to God, are neither ugly nor beautiful. Therefore, he who says that God has created the world, so that it might be beautiful, is bound to adopt one of the two alternatives, either that God created the world for the sake of men's pleasure and eyesight, or else that He created men's pleasure and eyesight for the sake of the world. Now, whether we adopt the former or the latter of these views, how God could have furthered His object by the creation of ghosts, I cannot see. Perfection and imperfection are names which do not differ much from the names beauty and ugliness.