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" "And so, part of what is happening in these state legislatures across the country with regard to the effort to push back against teaching of history — 1619 Project, critical race theory and the like — is a recognition that we have developed in this country a more sophisticated understanding, a more sophisticated framework, a more sophisticated public lexicon, with which to understand how slavery — how racism was not just an interpersonal phenomenon, it was a historic one, it was a structural one, it was a systemic one. And I’m very much sympathetic — I know there’s some sentiment out there, that people are saying, “Well, we didn’t ask for Juneteenth to become a holiday. We want voting rights. We want police reform. We want abolition. We want” — and I 100% understand that. I also think that we should not undervalue what it means for Juneteenth to become a holiday, in part because then we are not valuing the work that Black activists have done over the course of decades to get there, and because while symbols are not necessarily material change, they are not irrelevant.
Clint Smith (born August 25, 1988) is a writer, poet and scholar living in the USA. He is the author of Counting Descent and How the Word is Passed.
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The Statue of Liberty is an extension of a tradition that seems to embody the contradictions in America's promise, and a reminder that its promises have not always been extended to us. As the narrator in James Baldwin's 1960 short story "This Morning, This Evening, So Soon" puts it, "I would never know what this statue meant to others, she had always been an ugly joke for me."