Spent this week in Senegal & have been thinking about how activists there are pushing to have the street signs named after French colonists removed i… - Clint Smith

And the thing is that names and symbols and holidays, like, aren’t just names and symbols and symbolism. What they are are reflective of the stories that people tell. And those stories shape the narratives that societies carry. And those narratives shape public policy. And public policy, that shapes the material conditions of people’s lives. Which is not to say that taking down a statue of Robert E. Lee or making Juneteenth a holiday is going to erase the racial wealth gap. Of course not. But what it is is part of an ecosystem of narratives and stories and ideas that can help us recalibrate our understanding of why certain communities look the way that they do and what needs to be done and invested in those communities to create a new set of opportunities. So, we should recognize and celebrate that Juneteenth is a holiday, and we should also recognize that that is not enough — it is not nearly enough — and that it is one part of a much longer struggle and a much larger struggle to make sure that we are creating a more equitable and just world.

I think what we’re experiencing right now is a sort of marathon of cognitive dissonance, in the way that is reflective of the Black experience as a whole, because we are in a moment where we have the first new federal holiday in over 40 years and a moment that is important to celebrate, the Juneteenth, and to celebrate the end of slavery and to have it recognized as a national holiday, and at the same time that that is happening, we have a state-sanctioned effort across state legislatures across the country that is attempting to prevent teachers from teaching the very thing that helps young people understand the context from which Juneteenth emerges.

The Statue of Liberty is an extension of a tradition that seems to embody the contradictions in America's promise, and a reminder that its promises have not always been extended to us. As the narrator in James Baldwin's 1960 short story "This Morning, This Evening, So Soon" puts it, "I would never know what this statue meant to others, she had always been an ugly joke for me."