Aleksandr Isayevich Solzhenitsyn [Алекса́ндр Иса́евич Солжени́цын] (11 December 1918 – 3 August 2008) was a Russian philosopher, novelist, dramatist and historian. Awarded the Nobel Prize in Literature in 1970, he was exiled from the Soviet Union in 1974, returning to Russia in 1994.
Biography information from
Wikiquote·
Portrait adapted from
Wikimedia Commons, Bert Verhoeff for Anefo (Public domain / CC0)
Also Known As
Native Name:
Александр Исаевич Солженицын
Alternative Names:
Aleksandr Isayevich Solzhenitsyn
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Alexander Solzhenitsyn
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Aleksander Solzhenitsyn
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Alexander Isayevich Solzhenitsyn
Rejoice that you are in prison. Here you can think of your soul.
Human nature is full of riddles and contradictions; its very complexity engenders art — and by art I mean the search for something more than simple linear formulations, flat solutions, oversimplified explanations. One of these riddles is: how is it that people who have been crushed by the sheer weight of slavery and cast to the bottom of the pit can nevertheless find strength to rise up and free themselves, first in spirit and then in body; while those who soar unhampered over the peaks of freedom suddenly appear to lose the taste for freedom, lose the will to defend it, and, hopelessly confused and lost, almost begin to crave slavery. Or again: why is it that societies which have been benumbed for half a century by lies they have been forced to swallow find within themselves a certain lucidity of heart and soul which enables them to see things in their true perspective and to perceive the real meaning of events; whereas societies with access to every kind of information suddenly plunge into lethargy, into a kind of mass blindness, a kind of voluntary self deception.
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We, holding Art in our hands, confidently consider ourselves to be its masters; boldly we direct it, we renew, reform and manifest it; we sell it for money, use it to please those in power; turn to it at one moment for amusement — right down to popular songs and night-clubs, and at another — grabbing the nearest weapon, cork or cudgel — for the passing needs of politics and for narrow-minded social ends. But art is not defiled by our efforts, neither does it thereby depart from its true nature, but on each occasion and in each application it gives to us a part of its secret inner light.