Whatever it may, it is a well-ordered and engineered system of religion that, like Mosaism, Christianity and Islamism, proceeds from the preaching an… - Italo Pizzi

Three moments of maximum splendor had the Iranian culture and civilization, and these are pted and added up, so to speak, in three equally glorious and illustrious names that are Zarathustra, Dario, Firdusi. The first two belong to the ancient age, and one is a great legislator, also the founder of a novel religion; the other is a great prince, unifier of the patrio kingdom. He belongs to the third to the Middle Ages, and is a great poet, worthy of standing next to the majors of the West.

Ingenuously made pomp of their native beauty, and it is told of Aisha (she was shei of Muslim time, of the first however) who, reproached by her husband for not wearing a veil, replied: "God has marked me with the seal of beauty, and it 77].</ref>

Talking about the merits of Firdusi is certainly not light and easy; but having to keep our word about it, we will start with the language which by the Persian writers who came after him, was increasingly corrupt with Arabic words. Firdusi instead knew how to use the real Persian language by abstaining, as much as he could, from the Arabic words that were introduced into Persia after the conquest of the Arabs. His way of expressing himself is robust, nervous and devoid of those games of words and those uncertain grigami that we so often encounter in the imitatory poets of the Arabs, such as Hâfiz, Khâkâni, Saadi and Giâmi. They met again often in their songs, figures and really grandiose similarities, which, however, never touch the monstrous like those that are needed in Indian poems, especially if of old age, as are the Purâni, nor do they go to the ridiculous and the silly like some of the Arabic and Persian poetry that imitated it on. (pp. 121-122)