To express the love of two lovers by the marriage of two complementary colours, their blending and their contrast, the mysterious vibrations of relat… - Vincent van Gogh

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To express the love of two lovers by the marriage of two complementary colours, their blending and their contrast, the mysterious vibrations of related tones. To express the thought of a brow by the radiance of a light tone against a dark background. To express hope by some star. Someone's passion by the radiance of the setting sun. That's certainly no realistic trompe l'oeil, but something that really exists, isn't it?

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About Vincent van Gogh

Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.

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Alternative Names: Vincent Willem van Gogh van Gogh
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Additional quotes by Vincent van Gogh

It is sometimes so bitterly cold in the winter that one says, `The cold is too awful for me to care whether summer is coming or not; the harm outdoes the good.’ But with or without our approval, the severe weather does come to an end eventually and one fine morning the wind changes and there is the thaw. When I compare the state of the weather to our state of mind and our circumstances, subject to change and fluctuation like the weather, then I still have some hope that things may get better.

I can't change the fact that my paintings don't sell. But the time will come when people will recognize that they are worth more than the value of the paints used in the picture.

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Recently I've been working very hard and quickly; in this way I try to express the desperately fast passage of things in modern life.

Yesterday, in the rain, I painted a large landscape with fields as far as the eye can see, viewed from a height, different kinds of greenery, a dark green field of potatoes, the rich purple earth between the regular rows of plants, to one side a field of peas white with bloom, a field of clover with pink flowers and the little figure of a mower, a field of tall, ripe, fawn-coloured grass, then some wheat, some poplars, on the horizon a last line of blue hills at the foot of which a train is passing, leaving an immense trail of white smoke over the greenery. A white road crosses the canvas, on the road a little carriage and some white houses with bright red roofs alongside a road. Fine drizzle streaks the whole with blue or grey lines.

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