Als Körper ist jeder Mensch eins, als Selle nie. - Hermann Hesse

The world was so beautiful when regarded like this, without searching, so simply, in such a childlike way. Moons and stas were beautiful, beautiful were bank and stream, forest and rocks, goat and gold-bug, flower and butterfly. So lovely, so delightful to go through the world this way, so like a child, awake, open to what is near, without distrust.

Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

You, too, have mysteries of your own. I know that you must have dreams that you don't tell me. I don't want to know them. But I can tell you: live those dreams, play with them, build altars to them. It is not yet the ideal but it points in the right direction. Whether you and I and a few others will renew the world someday remains to be seen. But within ourselves we must renew it each day, otherwise we just aren't serious. Don't forget that!