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" "Plato, or Why
For unclear reasons
under unknown circumstances
Ideal Being ceased to be satisfied.
It could have gone on forever,
hewn from darkness, forged from light,
in its sleepy gardens above the world.
Why on earth did it start seeking thrills
in the bad company of matter?
What use could it have for imitators,
inept, ill-starred,
lacking all prospects for eternity?
Wisdom limping
with a thorn stuck in its heel?
Harmony derailed
by roiling waters?
Beauty
holding unappealing entrails
and Good — why the shadow
when it didn’t have one before?
There must have been some reason,
however slight,
but even the Naked Truth, busy ransacking
the earth’s wardrobe,
won’t betray it.
Not to mention, Plato, those appalling poets,
litter scattered by the breeze from under statues,
scraps from that great Silence up on high.
Wisława Szymborska-Włodek (2 July 1923 – 1 February 2012) was a Polish poet, essayist and translator. She was awarded the 1996 Nobel Prize in Literature. She was bestowed the title of Lady of the Order of the White Eagle in 2011. She was a member of the Polish Writers Association (1989) and the Polish Academy of Skills (1995).
Biography information from Wikiquote
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The world – whatever we might think when terrified by its vastness and our own impotence, or embittered by its indifference to individual suffering, of people, animals, and perhaps even plants, for why are we so sure that plants feel no pain; whatever we might think of its expanses pierced by the rays of stars surrounded by planets we've just begun to discover, planets already dead? still dead? we just don’t know; whatever we might think of this measureless theater to which we've got reserved tickets, but tickets whose lifespan is laughably short, bounded as it is by two arbitrary dates; whatever else we might think of this world – it is astonishing.
But ‘astonishing’ is an epithet concealing a logical trap. We’re astonished, after all, by things that deviate from some well-known and universally acknowledged norm, from an obviousness we've grown accustomed to. Now the point is, there is no such obvious world. Our astonishment exists per se and isn't based on comparison with something else.
Granted, in daily speech, where we don’t stop to consider every word, we all use phrases like ‘the ordinary world,’ ‘ordinary life,’ ‘the ordinary course of events’ … But in the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone’s existence in this world.
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