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" "Perhaps life's earnestness might often come to destroy the lovers' play, as it had today, perhaps the little song of love might often die out unheard amid the painful, confused tones that assail his heart [as a physician], as it had today. -- But with a happy face she will from this day forward raise up her arms to him, in gratitude that he does not merely caress her and forget life's seriousness when he is with her, but that he struggles with life for himself and for her. And in her lap he shall rest his head when he is suffering. Perhaps then a tender dream will always rise up anew -- in a night like this one -- and, ever again, secretly weave, in the dark, new love around their life. -- -- -- ("One Night") p. 74
Lou Andreas-Salomé (born either Louise von Salomé or Luíza Gustavovna Salomé or Lioulia von Salomé; 12 February 1861 – 5 February 1937) was a Russian-born psychoanalyst and a well-traveled author, narrator, and essayist from a Russian-German family. Her diverse intellectual interests led to friendships with a broad array of distinguished thinkers, including Friedrich Nietzsche, Sigmund Freud, Paul Rée, and Rainer Maria Rilke.
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Why did he have such a rough picture of her? It was strange that he found it so difficult to comprehend women in the manifold ways of their humanity and not just schematic way, as representations of their gender. Whether he idealized them, or regarded them as diabolic, a man always interpreted women's behavior too simply and personally, based on some chance reaction to himself. Maybe the notion that woman was sphinx-like stemmed from the sole fact that her full humanity, in no way inferior to man's, could not be grasped with such artificial simplifications. p. 25
Bear in mind that the Narcissus of legend gazed, not at a man-made mirror, but at the mirror of Nature [a pool of water]. Perhaps it was not just himself that he beheld in the mirror, but himself as if he were still All: would he not otherwise have fled, instead of lingering before it? And does not melancholy dwell next to enchantment upon his face? Only the poet can make a whole picture of this unity of joy and sorrow, departure from self and absorption in self, devotion and self-assertion.
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