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" "Why did he have such a rough picture of her? It was strange that he found it so difficult to comprehend women in the manifold ways of their humanity and not just schematic way, as representations of their gender. Whether he idealized them, or regarded them as diabolic, a man always interpreted women's behavior too simply and personally, based on some chance reaction to himself. Maybe the notion that woman was sphinx-like stemmed from the sole fact that her full humanity, in no way inferior to man's, could not be grasped with such artificial simplifications. p. 25
Lou Andreas-Salomé (born either Louise von Salomé or Luíza Gustavovna Salomé or Lioulia von Salomé; 12 February 1861 – 5 February 1937) was a Russian-born psychoanalyst and a well-traveled author, narrator, and essayist from a Russian-German family. Her diverse intellectual interests led to friendships with a broad array of distinguished thinkers, including Friedrich Nietzsche, Sigmund Freud, Paul Rée, and Rainer Maria Rilke.
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Our first experience is, remarkably, of a disappearance. A moment ago we were everything, undivided; any other being was indivisible from us - then we were urged into being born -- became a residual part of it all, which from then on would have to strive against even further diminution and to assert itself against a contrary world rising ever wider before it, into which it had fallen out of its fullness, as if into an -- at first depriving -- emptiness.
It delights me that the one thinker I approached in my childhood [Spinoza] and almost adored now meets me again, and as the philosopher of psychoanalysis. Think far enough, correctly enough on any point at all, and you hit upon him; you meet him waiting for you, standing ready at the side of the road. (pp. 75-76)
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Bear in mind that the Narcissus of legend gazed, not at a man-made mirror, but at the mirror of Nature [a pool of water]. Perhaps it was not just himself that he beheld in the mirror, but himself as if he were still All: would he not otherwise have fled, instead of lingering before it? And does not melancholy dwell next to enchantment upon his face? Only the poet can make a whole picture of this unity of joy and sorrow, departure from self and absorption in self, devotion and self-assertion.