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Midnight, when the monotonous tick-tock of diurnal progress is for one throbbing moment replaced by the cool but smokey honk of a saxophone, alternately seductive and threatening. Midnight. The black growth on the clock face that has to be biopsied every twenty-four hours to see whether it is malignant or benign.

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Midnight is Hellen-Kelleresque, so if you ask me if I’m seeing anybody, I’ll ask you what time it is. Answers are always between 12:01 AM to 11:59 PM.

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Midnight! the outpost of advancing day!
The frontier town and citadel of night!
The watershed of Time, from which the streams
Of Yesterday and To-morrow take their way,
One to the land of promise and of light,
One to the land of darkness and of dreams!

midnight is the witching hour, is because a new day rises from the ashes of the old, embers breathe new life to its fire, giving us a chance to mend, a chance to restore all that is broken

Midnight is a wonderful thing in a vast city—and midnight was upon Vienna. The shops were closed, the windows darkened, and the streets deserted—strange that where so much of life was gathered together there could be such deep repose; yet nothing equals the stillness of a great town at night. Perhaps it is the contrast afforded by memory that makes this appear yet more profound. In the lone valley, and in the green forest, there is quiet even at noon—quiet, at least, broken by sounds belonging alike to day and night. The singing of the bee and the bird, or the voice of the herdsman carolling some old song of the hills—these may be hushed; but there is still the rustle of the leaves, the wind murmuring in the long grass, and the low perpetual whisper of the pine. But in the town—the brick and mortar have no voices of their own. Nature is silent—her soft, sweet harmonies are hushed in the great human tumult—man, and man only, is heard. Through many hours of the twenty-four, the ocean of existence rolls on with a sound like thunder—a thousand voices speak at once. The wheels pass and re-pass over the stones—music, laughter, anger, the words of courtesy and of business, mingle together—the history of a day is the history of all time. The annals of life but repeat themselves.

I struggled to find the words to name the feelings that flooded through me, but I had no words strong enough to hold them. For a long moment, I drowned in them. When I surfaced, I was not the same man I had been. My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight?

Time moves in it special way in the middle of the night.

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But at midnight — strange, mystic hour, when the veil between the frail present and the eternal future grows thin — then came the messenger.

Night, when words fade and things come alive. When the destructive analysis of day is done, and all that is truly important becomes whole and sound again.

Night, the beloved. Night, when words fade and things come alive. When the destructive analysis of day is done, and all that is truly important becomes whole and sound again. When man reassembles his fragmentary self and grows with the calm of a tree.

They say that, hung in ancient halls,
At midnight from the silent lute
A melancholy music falls
From chords which were by daylight mute.
And so the human heart by night
Is touched by some inspired tone,
Harmonious in the deep delight,
By day it knew not was its own.

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Music is moonlight in the gloomy night of life.

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