...One must take into account the shocking fact that we live on a world that spins. After considering this truth, nothing should come as a surprise. - Thomas Ligotti

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...One must take into account the shocking fact that we live on a world that spins. After considering this truth, nothing should come as a surprise.

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About Thomas Ligotti

Thomas Ligotti (born 9 July 1953) is a contemporary American horror author and reclusive literary cult figure. His writings, while unique in style, have been noted as major continuations of several literary genres – most prominently Lovecraftian horror – and have overall been described as works of "philosophical horror," often written as short stories and novellas with a "darker" undertone which is similar to gothic fiction. In his first non-fiction work, The Conspiracy Against the Human Race (2010), Ligotti elaborates on concepts such as philosophical pessimism and antinatalism, which he suggests influenced his writings.

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Additional quotes by Thomas Ligotti

As history confirms, people will change their minds about almost anything, from which god they worship to how they style their hair. But when it comes to existential judgments, human beings in general have an unfalteringly good opinion of themselves and their condition in this world and are steadfastly confident they are not a collection of self-conscious nothings.

Nature is interested in only two things—to survive and to reproduce one like itself. Anything you superimpose on that, all the cultural input, is responsible for the boredom of man. So we have varieties of religious experience. You are not satisfied with your own religious teachings or games; so you bring in others from India, Asia or China. They become interesting because they are something new. You pick up a new language and try to speak it and use it to feel more important. But basically, it is the same thing.

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I know in a way I never knew before that there is nowhere for me to go, nothing for me to do, and no one for me to know. The voice in my head keeps reciting these old principles of mine. The voice is his voice, and the voice is also my voice. And there are other voices, voices I have never heard before, voices that seem to be either dead or dying in a great moonlit darkness. More than ever, some sort of new arrangement seems in order, some dramatic and unknown arrangement -- anything to find release from this heartbreaking sadness I suffer every minute of the day (and night), this killing sadness that feels as if it will never leave me no matter where I go or what I do or whom I may ever know.

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