My goal as an actor is always to be as truthful as possible, and to find the truth in the material I am representing. So I think that it’s the same with performing music. But in a way, performing your own music, it’s easier to find the truth in it, because it’s coming from yourself. There’s no translation needed.

I'm trying to write a book based on myself, but i keep changing.

Music is so personal to me. I can be myself, and say what I want to say. I feel I'm honest and don't try to hide things. But music enables people to learn about my personality, how I'm evolving. Even if I don't feel comfortable talking about something, I can feel comfortable expressing that same thing through my music.

First and foremost, I'd like to continue taking risks with my music. Everything I've done so far has been a gut reaction, honest and real. And that's who I am. That's what I want my music to always be -- honest and real."

The essence of what I have learned about writing and performing music is the authenticity you are faced with in your day-to-day work. No matter what other people or even critics will say, you have to follow your own direction which not necessarily has to be a straight line to success; sometimes it will be a curly, dramatic curve you have to go, but that’s the only way to leave a little landmark of brave respect to others and to the dimensions of your own capability.

What I have to say is all in the music. If I want to say anything, I write a song.

I feel live I'm constantly evolving into my own voice.

I've got to know that I'm singing something with truth to it. My songs are different than anybody else's songs. Other artists can get by on their voices and their style, but my songs speak volumes, and all I have to to is lay them down correctly, lyrically, and they'll do what they need to do.

I want to grow as an artist and I'm taking a step out, I want my music to mature.

I've had a lot of different experiences in music over the years. And not everything you do can satisfy everybody's idealised version of you.

I want to be myself everywhere - both on the movie screen and at a concert, do you understand? The most important thing for me is to maintain the self-esteem and freedom that I have now. But it is very difficult to save. You have to fight all the time. And if the question becomes that I will have to play music that I don’t want to play, but that people will like, it would be dishonest to play it, right?

I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.

I used to think that myself and my songs were the same thing. But I don't believe that any more. There's myself and there's my song, which I hope is everybody's song.